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Cocktail of the Week ......

Cocktail of the Week

(part 1) Pickled Pearl Onions

Continuing on from last week’s (Meyer Lemon) preserving session, we come to one of Chef's favorites ~ Pickled Pearl Onions ~ which pair beautifully with many a savory starter or entrée.  Not to mention being an indispensable component to a great Bloody Mary.

Preserving doesn't get much easier than this: the only thing fiddly about pickling pearl onions is peeling the papery outer skin and membrane to get to the inner bulb. Pickling spices tend to work best when peppercorns, fennel seeds and a wide flake salt like Maldon are in play. Use firm, good quality onions. Once you are past the peeling stage and have chosen your spices, all you need is a clean jar and equal parts vinegar and sugar … that's it.

Depending on what he will be serving them with, Ryan chooses a vinegar that will push or pull on the pearl's mild bulby onion taste. With the return of duck confit this week he used a good quality champagne vinegar. Ready to eat after 24 hours, these vibrant pink pickled onions will keep for months. Depending, of course, on how many times you find yourself reaching into the fridge for them to garnish a Bloody Mary.

(part 2) Barndiva's Bloody Mary

Anyone who tells you there is only one definitive recipe for the Bloody Mary is either a fool or a liar.  This is not all down to the fact that for all its sunny charm, it's a surprisingly complex cocktail. Depending upon your MO for ordering it ~ whether you are coming into brunch still wet from the gym or just out of bed with a headache you acquired getting up to no good the night before, chances are you’re going to taste something quite different every time you order one.

From the bartender's perspective the usual suspects are vodka, tomato juice, spices like cayenne and celery salt, hot sauce, and, at the finish, something to give you a great restorative green crunch. While it’s certainly nice in summer if you can purée your own tomatoes ~ the heirloom varieties we grew at the farm made for a remarkable Bloody Mary last summer  ~ it's not a deal breaker. The argument could even be made that tinned tomato juice, with its distinctive metallic edge, brings something to the table. The vinegary kick in our Bloody Marys since Rachel took over brunch bar duties on Sundays comes from a potent trio: the aforementioned pickled onions, brine from the olives and fresh lemon juice. Whatever spin the bartender puts on it needs to be bold, because at heart this is a bold cocktail. Is horseradish necessary? I didn’t used to think so, now I’m not so sure. I am sure, though, that using Sriracha for the hot sauce component brings a nice complex heat. Maldon is the salt to use as it doesn't break down, rewarding the drinker with well timed salty jolts which heighten all the wonderful red, green and spicy notes that make this drink a classic.

As for the garnish it shouldn't be an afterthought ~ a sad bit of celery just doesn't cut it.  The entry point to a great Bloody Mary is a juicy olive, pickled pearl onion, bit of shaved carrot, baby radish and a wedge of lime ~ fresh, bright, beautiful color and crunch that signals the transition to sharply sour, salty and hot. Close your eyes and you should be able to imagine sitting in a beautiful garden on a sunny day surrounded by ripening tomatoes. Wherever you actually are, there are worse ways to start your Sunday.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Dish of the Week ...... In the Gallery....... Introducing the Barndiva Winter Brunch Special.....

Dish of the Week

Preserved Meyer Lemons

I love apples, but truth be told if Eve had been any kind of cook when she was flirting with being thrown out of Eden, she would have given some thought to reaching for a lemon no matter how puckery that first bite might have been for Adam. Why? Because when it comes to cooking the things we comfort loving heathens love, citrus is all but indispensable. Without acid producing fruits like lemons and grapes (for vinegar), we’d drown in a sea of rich fatty flavors. Ryan’s a big fan of all things acidic ~ when we talk about food the words ‘brighten’ and ‘lift’ always go hand in hand with ‘rich,’ ‘buttery’ and ‘redolent.’

He’s not alone in recognizing the merits of the humble lemon which has been around since biblical times, coming  to the new world with Christopher Columbus. The recipe for preserving them ~ surely the simplest ways to extend their season ~  also hasn’t changed in centuries. In Elizabeth Raffield’s “The Experienced English Housekeeper,” written in 1769, she has a version of “lemon pickle” almost identical to one penned by an anonymous ‘Lady’ in  Shakespearean times: 

The lemons should be small, and with thick rinds: rub them with a piece of flannel; then slit them half down in four quarters, but not through to the pulp; fill the slits with salt hard pressed in, set them upright in a pan for four or five days, until the salt melts; turn them thrice a day in their own liquor, until tender.

Meyer lemons, thought to be cross between a Lisbon lemon and a Mandarin (or a Eureka and an orange, take your pick), are perfect for preserving owing to their thin skins, which are shiny, smooth, small pored and edible. The pulp has a mild sweet flavor. Here in Sonoma, our season for them is early spring, but thanks to crazy ‘new’ weather patterns, when Myrna and Earl Fincher from Early Bird's Place showed up last week with their first crop, besides a quick of the head, no one was really surprised.

Meyer’s are best when medium sized (in general they are less ellipsoidal than true lemons) and ripe when they turn a beautiful golden yellow color. To preserve, start by simply cross slitting through the skin until 1/2 to 3/4 a way down the body of the fruit.

Position the fruit on a bed of large grain salt, a thumb's distance between each one. Kosher salt, made by compacting granular salt to produce larger irregularly shaped flakes, is the least expensive option, and perfect for preserving because while it dissolves easily, its wider surface area won't overwhelm the flavors of the fruit as it softens.

Sift salt over the cut end of the lemons allowing it to fill every nook and cranny until they are covered.  If you have a ceramic terrine lying around it’s shape makes the perfect preserving vessel as its thick walls keep the fermenting temperature constant.

When the lemons are covered, replace the lid and store  in a cool larder or at the back of the fridge. For a quick lemon pickle you can blanch the fruit to get the process started.  Preserved lemons, sliced or cut into chunks, makes a delicious addition to any stew, especially those with poultry. They figure heavily in Indian and North African Cuisine. In Morocco they like to leave preserved lemons or “leems”  for months before using them.

But preserved lemons aren't just for savory dishes; they add a j’ne sais quois to sweet desserts, especially where you might expect a candied citrus peel. Perfect case in point is Octavio's newest winter dessert ~ Meyer Lemon Tart with house-made lightly spiced graham cracker crust. This week he's serving it with a gorgeous huckleberry sauce, crème frâiche ice cream, and, in pride of place on top, a translucent flourish of thinly sliced preserved Meyer lemons. Eat your heart out Eve.

In the Gallery

The first pieces of Jordy Morgan's work we represented in the Studio were steel cage stone-filled sculptural pieces of sofas, chairs and standing vases. These monumental outdoor pieces played off a use of common indoor shapes and materials which took them to a new place.  Extremely comfortable (though you don’t expect them to be), Jordy's stone sculpture/furniture manages to be both corporeal yet highly imaginative ~ physically heavy but spiritually light,  if you follow my meaning.  Rare is the day we don’t find guests from the restaurant migrating over from the main gardens to sit in these Flintstone looking armchairs, taking them in with childlike joy.

Two new pieces of Jordy's which arrived in the Gallery last week speak to yet a new direction for his work.   The first is a bar-height table and four stools that look like they stepped out of Toy Story.  Fabricated from a 1950’s steel shelving unit, with John Deere tractor-orange distressed skewed legs, the pieces work as a wonderful breakfast set or just as happily as an idiosyncratic desk for the office (whether or not you work for Pixar).

The second piece, though not without a tongue in cheek nod to the game of Tic Tac Toe, is a serious dining table, one of the most elegant pieces Jordy has ever done for us. Starting with a reclaimed 13" diameter heavy steel pipe, the artist has fabricated (perfectly pre-rusted) four-piece X casing legs. The dining surface,  1.5” thick, is satin finished Doug Fir.

Breakfast/Office Table  56"X 24.25" X 35.75" With four stools,  $3600

XO Dining Table   8'  x 24.25" wide x 30" $4200

Introducing... the $20 Barndiva Winter Brunch Special

This Week begins a series of Winter Brunch Specials. First up  a languorous Barndiva brunch that starts with a Bloody Mary (ok, or Mimosa),  followed by our classic Barndiva Benny made with Costeaux Brioche Toast, two Early Bird's Place Organic Eggs, spinach, crispy pancetta and the yummiest (and possibly lightest) Hollandaise around. While this Benny was photographed solo, rest assured if you come in to claim it this coming Sunday, yours will come with roasted potatoes and a toy box salad. Say the magic words, "I eat the view!", and we'll throw in coffee as well.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Hangover Elixers .......A Barndiva Family Album of NYE.......

Last Great Party of the Year

Hometown Celebration

While we understand (and greatly appreciate) most of the sold-out crowd on NYE came to be wowed by Chef's glorious menu, in the front of the lounge some very special friends also shared a great evening...

 Isabel Hales took time away from her studies in London to DJ;  brother Lukka with Chef's wife Rebekah Fancher.

 Studio Barndiva's manager Dawid Jaworski and his lovely wife, Priscilla.

 Daniel Carlson took time off from planning the spring gardens at the farm in Philo to string roses and create fabulous NYE decorations.

The beautiful Amber, Lukka's special events assistant, with her husband the writer Scott Keneally

Chef and Bekah announcing great news: they will be new parents in 2012!

Our incredible kitchen staff (minus Pancho and Danny) before last service of 2011.

Perrier-Jouet electrified streamers lead to an indelible Donna Summer 'Last Dance" moment, (Lladies, drinks on the house!)

Hangover Cures from the Barndiva File

There are hundreds of hangover remedies in the world, but aside from Dean Martin’s “Keep Drinking,” none of them really do more than get you over the hump of a groaning morning after too much fun. One of the great mysteries of life is why, after the age of five, there’s always hell to pay after too much fun, but it's way too soon in the New Year to think Kingsley Amis was onto something when he wrote, “When that ineffable compound of depression, sadness, anxiety, self-hatred, sense of failure and fear for the future begins to steal over you... start telling yourself that what you have is a hangover.” Far better to hope all we suffer from this week is a bit of over-indulgence that time, aspirin, a pot of coffee and that whack-a-mole known as the Human Spirit will eventually remedy.

But should you ever find after a night of too much fun that you lack any one of those things and are suddenly needed to hold up your end of a scintillating conversation, here’s two words you should commit to memory: Fernet Branca.  Though it shares the main qualities of all bitters, which have been used for centuries to revive the senses and open the palate (why they figure it is in so many cocktails), Fernet is more than a simple Amaro (Italian for 'bitter').  First concocted in 1845, Fernet reputedly contains somewhere in the region of 27- 40 herbs and spices used for their restorative medicinal properties. In any given year (the recipes are secret and despite claims to the contrary, known to be mutable) these have been thought to include:  myrrh, chamomile, cardamom, aloe, saffron, mushrooms, fermented beets, cocoa leaf, rhubarb, gentian, wormwood, zedoary, cinchona, bay leaves, absinthe, orange peel, calumba, echinacea, quinine, ginseng, St. John's wort, sage, peppermint oil and, reportedly in the 1940's, codeine.

Two of the favorite hangover remedies we favor at Barndiva, one of them starring Fernet, were revisited and revised this year by our bartender Rachel Beardsley with the thought they might be welcome right about now. They were inspired by my late ex father-in-law, the redoubtable gourmand and world class drinker Tex Feldman, who introduced me to Fernet many years ago after a memorable night drinking and dining at Maxim's a few feet away from Jean Paul Belmondo. A judicious use of Fernet the night after too much fun was one of three bits of drinking advice he gave me which I’ve tried to live by  ~ the other two were pace yourself, and if you can’t afford the good stuff, walk away.  While he never did get around to explaining how once in your cups you remember to pace yourself, trust me, I’m working on it.

Fernet Old Fashioned

Muddle 3 fresh cranberries, a wedge of ruby red grapefruit, 1 sugar cube, and 3 dashes of  Fee Brothers Whiskey Barrel-Aged Bitters* Add 1 oz of buffalo trace bourbon, 1/3 oz of Fernet Branca and shake gently. Top with soda.

Bite the Dog

1 ½ oz Tito’s Organic Vodka 1 ½ oz coconut water ¼ oz fresh squeezed grapefruit juice ½ oz fresh orange juice ¼ oz Amaro Nonino Bitters

Shake and serve over rocks.

*Fee Brothers, Peychauds and Regan's bitters ~ among the best bitters in the world ~ are all but impossible to source retail, which is why we have carried a limited selection of them in the Studio for our clientele since we opened.

From all of us here at the Bar we wish you a wonderful Happy New Year.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Dish of the Week.......Singing the Praises of 2011.......

Dish of the Week

Early Bird Omelet with Caviar Crème Frâche

I think it was Julia Child who once said the single hardest dish she ever mastered was “a perfect omelet,” but I bet more than one great chef would proffer the same reply. Ryan, who’s both intuitive and technique driven in equal measure, believes the secret to a light, fluffy and oozy omelet lies in patiently stirring over constant heat, and while this is true, it's only part of the equation. Even if you start with great eggs (ours were from Early Bird's Place), the right pan, and a perfected wrist action that keeps the eggs from scorching, making the perfect omelet is no walk in the park. If anything it’s a dance. One whose music you need to listen to long and hard before you know the rhythm well enough to move to it gracefully.

To the extent that science plays a role, for an omelet that’s smooth as silk on the outside but filled with creamy wet curds, don't be tempted to mix dairy into the eggs. Though it seems counter-intuitive ~ cream should make something more creamy, not less ~ eggs don't need anything to bind to themselves, in fact, any ingredients you add will affect the omelet's ultimate viscosity. The balance at play is air, heat and time. Whip the eggs to a consistent froth and once they hit the heat (we use olive oil, not butter), drag a rubber spatula (or wooden spoon or fork) slowly front to back and side to side. Watch the edges. You will know from the look of them whether your heat is too high, or if you are dragging too slowly or too fast. When the eggs are at the soft curd stage, stop mixing. Now comes the crucial moment. You want a soft skin to form on both the top and the bottom surface while keeping the heat constant throughout. To accomplish this you can either pop the omelet under a brazier where the top will finish while the residual heat from the pan continues cooking the bottom, or stay on the burner while carefully flipping the omelet over in the skillet. Do neither and you risk the bottom sticking (or worse, turning brown). Whichever method you prefer, don't overcook the eggs.  This is essential.

Omelets stuffed with fixings like cheese, asparagus, crab, (you name it) are fun, but if we’re talking perfect omelet you don't want any other ingredients that will affect the perfect storm of  silky skin containing billowy curds.  As a topper, Caviar and Crème Frâiche are an inspired pairing ~ the cool of the crème combines with the pop of salty ocean to compliment, without overwhelming, the eggs, which should arrive to the plate as delicate in taste as they are in texture.

A word about caviar: while the name caviar can be used to describe the roe of almost any fish that produces eggs ~ salmon, steelhead, trout, lumpfish or whitefish ~ anyone who's tasted roe from the wild sturgeon living in the Caspian or Black Sea knows Beluga, Ossetra or  Sevruga are to lumpfish what cashmere is to boiled wool. That’s not to say that domestic caviar isn’t a wonderful and affordable addition to any dish that calls out for an oceanic bite. But stay away from pressed products. No matter where they come from,  no matter what size or shape the eggs, caviar needs to be fresh, to explode against your upper palate with a fresh briny snap.

Omelet with Caviar Crème Frâiche is the last Dish of the Week for the Blog this year. Looking back at the dishes we documented in 2011, we hope we managed a few Aha! moments that bridged the gap between the professional and the home cook, showcasing superior ingredients while finding the key to dishes that were both simple and elegant. No matter how labor intensive they were, and some of them were doozies, our hope was to delight your eye with finished dishes where the chef’s hand was all but invisible, his talent subsidiary to taste. The best dishes we eat in any year are usually the ones that don’t shout so much as fervently whisper, overwhelming neither the palate nor the stomach.

Because we think the first meal of the New Year should be as memorable as the last, Early Bird's Omelet with Caviar Crème Frâiche will be one of the stars of our New Year’s Day Brunch Menu this Sunday,  Janurary 1, 2012. On the drink side, for those of us who intend to party hard on New Year's Eve, the New Year's Day menu also brings back two classic Barndiva hangover cures:  Bite the Dog and the Fernet Old Fashioned.

2011: The People Who Made It All Possible

It takes a lot of hard work (not to mention talent) to keep Barndiva going all year. Even more to keep it growing in the ways we care about most. At the end of the day, ironic as it may sound, great restaurants aren’t about food as much as they are about people.  A lot of people ~ from the farmers and ranchers who grow and raise our ingredients, through the chefs of various stations who clean, cut, cook and plate,  to the servers, hostesses and bartenders who deliver our drinks and food to the table with a skilled flourish that honors the work and love that's goes  into every dish.

We are truly blessed to have talent in abundance here at Barndiva. And it isn’t just the professionalism our purveyors and staff have that is ultimately so remarkable; it's the way they rock it, with an abundance of humor and good will.

2011 was a great year for us, hard but truly wonderful.  We have always had great heart for what we do but I’m the first to admit our best intentions haven't always gone hand in hand with perfect timing. If you’ve eaten here in the past year, or shared the excitement of an event, you know we are on a roll.

None of us knows what lies ahead this year. It's hard to ignore the fact that most mornings the world outside feels like it is going to hell in a handbag. There’s too much greed and fear around, coupled with the uneasy but pervasive message from on high that even if you do a good job in life, an honest job, you’re going to end up with the short end of the stick. Don’t believe it. There are wonderful things happening all around us, they just need to be acknowledged and supported. Fought for. Enjoyed.  Joy should be at the heart of  what gets us out of bed every morning ~ even if some days it's just the fumes of the possible. But joy is like a fire, it needs kindling to get started. Constant feeding to keep it going.

So here's a Big Thank You to our kindling makers and fire builders of 2011 ~ starting with the singular farms and ranches that have supplied Barndiva throughout the year, especially the ones (you know who you are) that do not mind bringing in only one or two crops that meet Ryan’s exacting standards. Special shout out to Bonnie at Dragonfly who lets me fill the barn with the most impossibly beautiful blooms from her gardens while never failing to kick me in the ass when I need it; Alex and all the guys at Mix Gardens, Myrna and Earl at Early Bird's Place, Vidal and Daniel (and of course Lukka) at the farm, Lou and Susan Preston for writing the manual on how to raise happy pigs and sheep and besides great wine, produce some of the best olive oil around.

Thank you to our incredible Kitchen Staff  (special shout out to The Incredible Flying Wycoff Brothers, the irrepressible Pancho, Manny, Danny, Octavio, Shale,  and expediter extraordinaire Katie) and our charming and informed Front of House, now lead by the eminently able and urbane Bennett and the lovely Catherine.

To Dawid, who has taken the gallery on by storm, and to Amber, who helped Lukka fulfill all our wedding couple's dreams.  And last, but hardly least, my assistant and new mum K2, who keeps the blog (and the website) fresh, even when Chef and I threaten to run out of steam.

All of us here wish you a New Year that’s easy on the eyes, fulfilling and just plain filling ~ some of which we hope you will do here. Thank you for reading Eat the View this year (we know a lot vies for your attention) and for your support in person, here in the restaurant, the gallery, and at our weddings. Your continued health and well being matters greatly to us. Have an exciting year. Keep the home fires burning.

Salute!

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Dish of the Week.......Xmas In the Gallery.......A Holiday Greeting......

Dish of the Week

Serendipity Farm Persimmon and Pomegranate Salad with Crispy Lamb Neck Croquettes

This is the perfect Early Winter dish that delivers all the satisfying meaty flavors we long for as the nights turn cold. The persimmons and pomegranates come from Bruce and Vicki Pate, who graciously opened their farm in Geyserville to us last week. If you think a single leafless persimmon tree with its gloriously colored fruit is Christmas beautiful this time of year, imagine an orchard full of them.

Admittedly, the lamb aspect of this dish would be a bit tricky for the home chef unless you have access to whole animals or are a member of a meat buying club. The beauty of nose to tail cooking goes beyond honoring an animal (and value for money); in great part it's rediscovering cuts like this.  The first thing Chef did after breaking down the animal was to get a great stock going with roasted bones and cuts like the neck and shoulder. His braising liquid for lamb consists of white wine, fennel, tomato, rosemary and loads of fresh parsley.  After a few hours in this braise, the succulent meat all but falls off the bone.

Neck meat cooked this way has marvelous flavor, redolent of the braising liquid and the free range life of the animal. Our two lambs this week were raised at Lou and Susan Preston's biodynamic Family Farm on West Dry Creek where they played an important role fertilizing the soil as they grazed the fields and vineyards.  To make the croquettes, the meat from the bones was rolled in saran wrap and refrigerated just long enough to hold its shape.  Just prior to cooking, Ryan brushed the chilled 2” croquettes with Dijon mustard and rolled them in lightly seasoned Japanese breadcrumbs.

Because the meat is fully cooked before hitting the pan, the croquettes only need a few minutes in grape seed oil over high heat,  just long enough for the breadcrumbs to turn golden and crunchy.

Ripe but firm persimmons have an unusual flavor that isn’t sweet so much as fragrant, with a silken honeydew quality that pairs beautifully with the richness of the lamb. Use non-astringent varieties for taste and ease of cutting. I think Serendipity Farm’s persimmons were Jiros, but Chef was going with Fuyus, which are everywhere this time of  year.  Chef shaved the persimmon into semi-translucent overlapping slices which he used as a canvas for a composition of baby roasted artichokes, pickled red pearl onions, red and yellow endive and one of his current favorites ~ exquisite tiny radishes. A sprinkling of red pomegranate pips completed the dish. Pomegranates are lovely this time of year but always a bit fiddly. Ryan showed me a quick way to extract the pips from their membranes: slice them in half and, using the wider end of a big kitchen knife, whack away, holding the cut side over the plate. Depending on how your day went, you can have a nice therapeutic moment as pips rain down like a shower of rubies.

In the Gallery

We always try to fill the Gallery with unique smaller gifts at Christmas time, and this year is no exception. Besides a (rapidly diminishing) table of ornaments, we have cotton tea towels from Portugal, hand-loomed scarves from India and Ethiopia, Alpaca throws from Peru, votive holders made from cinnamon bark and a small but highly eclectic selection of books and hard-to-source cocktail bitters.

One of our favorite items back in the Studio after a long, post-tsunami wait are the exquisite hand-blown blue and yellow whiskey/cordial/ you-name-it glasses from Sugahara.

Out of time to shop? Not sure what to get for that certain someone you don't know all that well (or perhaps know all too well)... The ever popular Barndiva Gift Certificate may be the the most thoughtful gift you give all season. If you can't make it into the Gallery, call (707.431.7404) and we will be happy to take your information and send the the gift certificate anywhere you want. They can also be purchased at the bar, where you can have a glass of wine or a cocktail while you contemplate how clever you are  ~ really, how much easier can we make this?

The Countdown for 2011 has begun...

We are always fully booked for our fabulous New Year's Eve soirée, with the rush for tables coming right about now.  Last I looked, we were almost out of space ~ so book now if you are thinking of joining us for a "classic" six-course menu culled from what Chef feels are the best dishes he has cooked all year.  Don't say you weren't warned! If you already have plans for NYE but would like to join us for a glass of bubbly or taste one or two of the  dishes on the NYE menu, we will serving them à la carte from noon to seven.  Seating for NYE (dressing up not required, but encouraged) starts at 8:30. Take a look! 

And Finally...

Barndiva wishes all of you a joyous holiday season. We thank you for your continued support without which we could not and would not find the vision and resolve to do what we do. Make a joyful sound, friends, for truly we have no time to waste.

Merry Christmas and Happy Chanukah from all of us at BARNDIVA

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Holiday Cocktail of the Week.......Xmas In the Gallery.......New Year's Eve Menu......

Cocktail of the Week

Barndiva Holiday Nog with Madagascar Bourbon Vanilla Foam

The recipe for the elegant and light(ish) Egg Nog we will serve in the Barn this Christmas Eve comes to us courtesy of our new star behind the bar, Rachel Beardsley. Actually, it comes thanks to a desire on Rachel's part to continually up her game at Holiday time so her Japanese grandmother Masuyo ~ not a big fan of heavy cream and alcohol ~ can enjoy one of the richest traditions on offer this time of year.  Masuyo's not alone in craving the wonderful flavors of yule time without the cloying, hangover-in-the making qualities that too often come along with them.

All the usual suspects are here: spiced rum, full cream (cut with milk), nutmeg, vanilla and eggs. By reducing the amount of cream and using only the finest ingredients, in this case Madagascar Vanilla and whole Jamaican nutmeg, Rachel's small but significant swaps result in a wonderful Holiday concoction.  Crucial to the drink's success is using organic free range eggs in the Nog, then hand frothing the egg whites for a foam that is light but creamy. (Blenders tend to flatten and compress the ingredients.) With this Nog, less is deliciously more, a refinement you don't have to be a Japanese grandma to applaud.

Mix the ingredients together in a shaker or blender and chill.  Just before serving, add the vanilla to the egg white and whip until you produce a cloud-like frothy foam. We use a spiral whip in a glass shaker which is more a pogo move, easier on the wrist.  Pour the chilled Nog into a pretty glass, spoon on the vanilla foam, grate the nutmeg. You can make this Nog in batches but don't foam more than two egg whites at a time.  (Save the yolks for Christmas cakes or stuffing.)

Rachel will be whipping up her Holiday Nog behind the Bar on Christmas Eve ~ consider this an invitation to come by the Barn for a tipple, whatever your plans are for the night!  It's a real treat.

Recipe for Rachel’s Holiday Nog with Madagascar Bourbon Vanilla Foam

1 oz brandy (Korbel) 1 oz spiced rum (Sailor Jerry) 3 oz whole milk 2 oz half & half 1 whole organic egg 1 1/2 oz simple syrup

Vanilla foam: 1 egg white Scant 1/4 oz Madagascar bourbon vanilla (most vanilla comes from the same varietal ~V. planifolia ~ from Madagascar and the West Indies, but quality varies. As with any spice, invest in the best you can find.)

Grate a light sprinkling of nutmeg over the drink

In the Gallery

There are a lot of knives in the world ~ and almost as many opinions as to what constitutes a great one. Weight and balance, type of steel, heat forged or stamped ~ they’re all critical components. But for us, in deciding what to sell in the Studio, where the knife is made and by whom is the deal breaker.  We are not mindless fanatics that just because something is old it’s good, but with certain objects ~ textiles and knives especially ~ traditional fabrication techniques carry the fingerprint of history, traces of who we once were and what we knew, which we would be wise not to lose.

Berti knives have been made by the same Italian family since 1865. While they have kept up with the times by continually refining their sinuous ergonomic designs, they have done so while adhering to a founding principal that reverently guides how each knife is made: every Berti knife is signed by the single artisan that handles it from start to finish. Perfectly balanced Valdichiana steak knives and carving sets have honed Ox handles; all Berti knives are made from the finest high carbon steel which come with a lifetime guarantee that includes repair and sharpening ~ at no cost ~  in the workshop in Firenze.

The first Laguiole knives date back to the early 1800’s ~ named for the area in Southern France where they were made. Because the name and the ubiquitous insect on the mount (most think of as a bee ~ but could very well be a horse fly) could not be copyrighted, knives trading on the Laguiole history are now made without the same regard to craftsmanship all over the world (mostly in China and Taiwan). Of the original 18 villages around Thiers, only one village collective ~ in Aubrac ~ still follows the original fabrication techniques which made these knives and wine keys remarkable. There are 109 production steps to make a single Aubrac Laguiole steak knife, over 200 for the three piece folding knives and wine keys.

Every year we are lucky to get a few mixed wood dinner knife sets (each handle is kiln dried for its specific wood species). We also carry a limited number of  harlequin pocket knives and horn handled wine keys.

A Very Special Menu For New Year's Eve

We will accommodate à la carte reservations until 7:30, with  the official party beginning at 8:30 (give or take a few glasses of bubbly).

New to the Barndiva Family

There was a very good reason we did not publish Eat the View last week as K2,  crucial to uploading all the images and pictures for the blog  (in addition to creating many of Barndiva's stunning graphics) was rather busy plating her own Dish of the Week... one she's been cooking up for  the last nine months.  Meet Atticus Gordon Petrie,  the newest member of our ever expanding, extremely beautiful Barndiva family. Well done K2. Now get some sleep!

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).  NYE artwork k2pdesigns.

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Two Great Reviews..... Xmas in the Gallery.......

 

Octavio's Pièce Montée

Octavio's gorgeous Croquembouche (aka pièces montée) garnered some of the biggest oohs and ahhs in a night filled with them  on Friday as Healdsburg celebrated its annual downtown Christmas party. Festooned with hand-blown glass birds, swirling ribbons of spun sugar and topped with a Tin Mali Angel, while we may not agree with the great Carême that pastry is the highest form of architecture, Octavio was definitely channeling Gaudi when he created this baby.

Pièces montées are architectural towers made of cream filled pastry, traditionally meant to be devoured piece by piece at the end of a special meal. Barndiva's was decorative only ~  hopefully we can keep it around for those of you who missed the party!  What we can't recreate was the mellow mood of the friends and families who stopped by on their walkabout through town. There were platters of delicious Barn Chapeau (cream filled choux you could eat), lovingly decorated Christmas cookies and pitchers of Cosmo Killer Cocktails. Can't wait to see what our talented pastry chef has in mind for Christmas Eve when the holiday party traditionally moves next door to Barndiva. Stay tuned.

Great Articles Starring Two of Barndiva's Favorite Go-To Guys

Reading The Sunday Papers was especially sweet this weekend as we woke up to find two wonderful articles in the Press Democrat about remarkable men we get to work alongside every day.  Chef Ryan Fancher's artful culinary prowess was the focus of the Jeff Cox restaurant review, accompanied by very cool photographs by Christa Jeremiason.  While we were hardly unbiased when it came to the denouement, which we hope you'll read, whether or not you always ~ or ever ~ agree with his critical assessments every week, there's no denying Cox is a wonderful writer whose reviews are keyed to nuance and unusual details, not just about food. (He's certainly the first to get the visual synchronicity in the way we choose the John Youngblood's photography in the dining room).

Click here for the Jeff Cox review

Over in the financial section the cover story was all about how Studio Barndiva's Gallery Manager Dawid Jaworski is "living his dream" in America since immigrating from Poland. Everyone who works at Barndiva has fallen in love with this man and the infectious passion he brings to everything he touches.

Dawid's Amazing Savers Contest

And Don't Forget...

Dining Out For Life ~ Thursday December 1- countywide, a wonderful once a year event to support Food For Thought, which in turn supports the Sonoma County AIDS Food Bank.

Strolling Dine Around ~ December 7, 8, 14, 15- a chance to enjoy a delicious multi-coursed meal served at various restaurants across town, benefiting the Healdsburg Shared Ministries Food Pantry.

Great Gifts in the Gallery

Yeah, well, it IS a great message for the times ~ Keep Calm and Carry On ~ but if there had been room on the ball we would have liked to add  "and for Christ's sake, be joyful," because we mean it, literally.  Joy is the spirit we hope the Gallery conveys this Holiday Season.  Studio Barndiva may not have loads of shelves stacked with merchandise in multiples, but everything we do have is beautiful and meaningful, made with respect by artists and craftspeople who are upholding traditions we hope will survive these crazy times.

Photography, ceramics, jewelery, lighting, furniture, textiles, paintings, sculpture, wine antiques, amphora, knives, books, CD's, glassware, vases, UK card collections, candles, puzzles, even hard to find bitters ~ The Studio has one hell of an eclectic collection of art and functional craft pieces we top up at Christmas time. With prices that range from the inexpensive ornament to a painting or sculpture you will treasure forever.

Support artists, artisans and local shops with a joyful, mindful, point of view this Christmas!

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Thanksgiving....Holiday Parties.....

A Turkey with Whiskers

I am an unabashed fan of Thanksgiving, a happily non-sectarian holiday all about our deep abiding love of sugar, salt and fat. I even love that it's wrapped around a ceremonial protein of questionable historical relevance everyone pretends to like, knowing full well it's all but impossible to get right. The challenge of cooking turkey ~ and believe me I’ve tried every crazy recipe out there ~ is one of those culinary conundrums that for someone who hates to give up is the gift that keeps on giving. Side dishes ~ with all manner of roots and berries and nuts, pumpkin cakes and sweet potato pies ~ now that’s where Thanksgiving comes into all its harvest glory. And say what you will about the veracity of the Pilgrim and Indians story, it's always nice to put bounty, humility and gratitude together before you sit down to eat.

For the decade we lived in London we threw great parties every Thanksgiving.  Lukka would hang American flags from his balcony and everyone we knew would come over for a long afternoon of what can only be called debauched eating and drinking, after which we’d sit around the huge disheveled tables unable to move while the children, high on sugar and just being together, created mayhem in the gardens.

If I’ve learned anything over the years celebrating Thanksgiving ~ mostly at home, sometimes in restaurants, once in a country where a giant fish with whiskers stood in for the turkey, it's that after the fact it's never actually the meal you have a desire to recreate. Whether served on silver platters or paper plates, with vintage wines or plonk, in the end it's the people you share it with that make it special. It's the people you will miss.

So here's to Family, Friends, Food and Wine.... From our kitchen to yours we wish you a Happily Rambunctious, Thoroughly Delicious Thanksgiving.

Then Let the Holidays Begin...

Barndiva is always closed on Thanksgiving so our hardworking staff can eat themselves silly, but we open the next day with a Bang. The Downtown Holiday Party on Friday is Healdsburg's official kick off to the season, a chance to experience our town "drinks on the house" style, all lit up and ready to party. We haven't decided yet what special libation to concoct for you, but we've  managed to get Octavio to agree to make a  croque-en-bouche ~  a towering French pastry made of cream puffs and spun sugar. How high will it go? You'll have to come and see. This is a wonderful evening, a chance to reconnect with the community and maybe pick out one or two special things for Christmas you won't find in the boring big box stores. We hope to see you here.

Join us for Cocktails and Croque-en-bouche ... at the Downtown Healdsburg Holiday Party... in the Gallery  from 6-8.

And don't forget...

Dining Out For Life ~ Thursday December 1- countywide, a wonderful once a year event to support Food For Thought, which in turn supports the Sonoma County AIDS Food Bank.

Strolling Dine Around ~ December 7, 8, 14, 15- a chance to enjoy a delicious multi-coursed meal served at various restaurants across town, benefiting the Healdsburg Shared Ministries Food Pantry.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Dish of the Week.....Barndiva on the Cooking Channel....Holiday Parties Begin.....

Dish of the Week

Puff Pastry

I don’t know if it's true or not that puff pastry was “invented” by one Claude Gellée, AKA Claude Lorrain, the man John Constable called “the most perfect landscape painter the world ever saw,” but it certainly makes for a damn good story. Food lore has it that Gellée stumbled upon the method one afternoon when trying to bake bread for his ailing father. Up against the clock, instead of waiting for his dough to rise he began to just fold and roll, fold and roll. The rest is history, the flakey kind in at least one sense of the word, as it eventually inspired thousands of savory and dessert classics. As Gellée’s father is known to have died when he was 12, one can only extrapolate that the 17th Century painter ~ born into poverty, soon to be an orphan in charge of his five brothers ~ was a savant baker long before he picked up a brush.

Of course centuries before Gellée’s discovery, across the Mediterranean Basin bakers were making a flatter version of puff pastry we came to call Phyllo Dough. Two salient differences: the type of fat used, and, crucially, the number of layers in the final product. Where Phyllo traditionally uses oil, a classic French Puff Pastry usually relies upon butter…a not inconsequential amount of it. And while the perfect Baklava may look like it has tons of layers, it doesn't have anywhere near 730, the number needed, according to the mathematical equation offered by none other than Julia Child in Vol II of The Art of French Cooking, for a perfect pâte feuilletée fine.

Still, the science is the same: unleavened pastry is repeatedly folded, rolled and chilled. When the pastry shell hits the heat of a hot oven, moisture in the dough forms steam causing the pastry to rise on the seam lines of the folds as the water evaporates.  Shortening or lard can be used to make Puff Pastry ~ with a higher melting point than butter they allow the pastry to rise faster ~ but for that rich buttery mouth feel, Ryan believes you need…well….butter.

Vol-au-vent ~'windblown' ~ is the lovely French name for the pastry shell, which can be filled with just about anything. Our Vol-au-vent this week is a savory dish that is all about the taste and beauty of vegetables. To make the Puff Pastry shell Chef cuts chilled Puff Pastry into rounds with a fluted edge, brushing each stack with a little egg white as he works. Toy Box carrots and radishes are shaved and lightly dressed for a raw salad condiment while the rest of the ingredients ~ artichoke hearts, oven roasted tomatoes, brussels, pearl red and yellow onions, garlic confit, spinach, carrots, celery and fines herbs ~ are whittled or minced to within an inch of their life before being sautéed à la minute, while the shells are baking. Assembly takes place just before the dish leaves the kitchen.

A word about the labor-intensive job of getting our vegetables into the shape and size you see here: it’s not folly. Just like a diamond needs to be precisely cut to show its facets to greatest sparkle when light hits it, the cut and size of vegetables has a great deal to do with how they taste, and even how they feel, in the mouth.

Served on Onion Soubise with a pillow of Puff Pastry on the side, this Vol-au-vent is an elegant dish which makes a beautiful entrée this time of year. Using the same vegetables you have on hand to accompany the bird, with a little extra effort you can serve your vegetarian guests something even the diehard carnivores ~ and the odd landscape painter ~ will look down the holiday table at with envy.

The Big Cheese

Don't miss Barndiva and our wonderful friends at Bellwether Farms on the Cooking Channel this week. Filmed a few months ago for the exciting new series called The Big Cheese, (no, it doesn't refer to Ryan, but after we see the episode maybe it will), the program follows several types of cheese being made at Bellwether Farms which Chef then prepares and serves in Barndiva's upstairs studio. (Above: Chef Ryan getting ready for his close up, and with Big Cheese host Jason Sobocinski)

Barndiva and Bellwether on The Big Cheese November 17 @ 9:30PM and 1:30AM (program your TIVO!) or November 19 at 6pm.

Holiday Parties

The holidays are upon us, the first with Dawid at the helm of the Gallery. Though we've told him he absolutely cannot put any Christmas decorations out before the 'official' launch of the season, the day after Thanksgiving, we fear his naturally infectious enthusiasm ~ which he informs us only gets heightened at Christmas ~ may be getting the better of him.

Studio Barndiva, along with the entire town of Healdsburg, will celebrate the holidays together on Friday, November 25th, from 6-8.

Join us for Cocktails and Croque-en-bouche.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).

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Dish of the Week.....In the Gallery with Joy.......

Dish of the Week

Crispy Whole Poussin and Egg Yolk Ricotta Ravioli

Poussin is simply the French term for a domesticated young chicken. Similar in flavor to Rock Cornish Game Hens, they weigh just over a pound, small enough to serve the whole bird which Chef loves to do when he can. Nothing goes to waste ~ we bone the legs and use them and the backbones for stock that is reduced for the jus. By breaking the Poussin down into pieces you are able to pull the breast meat out of the pan and let it rest while finishing the dark meat to perfection. Ryan leaves the tiny wings intact, crisp around the edges, to make them easier to eat. I know there are fine dining restaurants which frown upon eating parts of the meal with your hands. I hope ours will never be one of them.

It's worth learning how to break and bone poultry down ~ Always work with gloves and a designated chopping board you scrub down before and after. With some practice you can do it swiftly and neatly and you will never have to worry again that in order to keep the white meat moist you risk having the dark meat red at the bone. There is nothing quite as delicious as biting down through crispy skin to perfectly dark moist meat. The right answer to the eternal tableside question of 'dark or light' should be "both, thank you."

The egg yolk inside the ravioli isn’t just a play on the chicken and egg routine (though in this instance the egg comes first) it's a wonderful taste component to the final dish. When you cut into the ravioli the yolk and ricotta stream down into the meat, bringing everything together: aromatics, crunch, soft comfort flavors. Chef plates the Poussin over a sauté of baby artichoke hearts, spicy pancetta and the last of the heirloom tomatoes oven roasted until they are so redolent with flavor they taste sun-dried. He finishes the dish with the jus and a translucent chive oil with bright grassy notes and a just a hint of pepper.

In the Gallery.... with Joy

It was a weekend of extraordinary highs and lows for all of us here at Barndiva, one that reached into the very heart of what we do, and why.

Saturday we threw one of the truly stellar weddings of the year, an evening where everything that could have gone wrong didn’t, and exceptional food, wine, flowers, music and dancing just flowed. Behind the scenes before the wedding began we scrambled to deal with a rainstorm that came early and far more intensely than expected. An hour before 'show time' half the staff was pulling furniture out of the dining room to accommodate the cocktail hour (which had been planned for sunset in the Barndiva Gardens), while the other half was meticulously setting the Gallery for the formal dinner (which had been envisioned under the stars in the Studio Gardens.)

A last minute decision by the bride and groom to go ahead with the ceremony outside was brave, and, as it turned out, inspired. Beneath a darkening sky as fairy lights in the trees caught and reflected the jewel-like colors of hundreds of Dragonfly peach and cream roses, pale green hydrangeas, flowering kale and white freesias, the wedding guests huddled under umbrellas holding their collective breath to hear the vows above the rain before erupting into cheers of joy. Coming into the warmth of the candlelit Gallery was magical. For the next five hours it was as if we had created a parallel universe where nothing bad or sad could ever happen.

Sad things do happen though. When we woke Sunday morning it was to prepare for a very different event, a memorial for Rhiannon Joy Hull, the adored young daughter, wife, mother, friend, teacher and athlete who lost her life last week in the waters off the beach at Playa Avellanas in Costa Rica, where she had gone to start a Waldorf Kindergarten. The swift and seeming randomness of Rhiannon’s death had left more than her immediate family in shock. For the young parents in town ~ and we have many ~ it was a tragedy that posed frightening and unanswerable questions. Rhiannon was a woman of exceptional physical strength, and while she faced her last moments of life using every ounce of it to save her son Julian, there was no escaping the feeling that her loss was a reminder of how tenuous a hold even the strongest of us have on life, how easily even those lives which we painstakingly construct can come undone. The first hour of the memorial the mood of the 300 or so that had gathered was friendly but awkward as grief stricken friends and family mixed with members of the community who had only known Rhiannon through school or her classes. As Amber, Barndiva's event coordinator and Rhiannon's close friend plaintively asked after the eulogy and stories and songs were all done …what now?  How do we as family, friends and casting a bigger net, as a community, make sense of this?

It was a question without an immediate answer.  Yet as the afternoon unfolded what transpired held a clue. Octavio had baked all morning ~ platters of tiny exquisitely composed desserts ~ and as people arrived more platters joined ours on the long wood tables from kitchens across the county ~ casseroles of comfort food, baskets of freshly baked bread, salads of all description, cases of juice and wine. Lukka opened bottle after bottle of champagne and big pots of coffee got refilled while the crowd mingled, eating and drinking while babies squirmed and kids ran amok in the gardens.  Conversations rose and fell. We laughed, some cried, everyone present taking simple pleasure just being in the company of others. The word 'celebration' was repeated over and over, as it had been the night before, under vastly different circumstances. How strange that Saturday night’s 'celebration' for one couple’s life beginning, and Sunday’s 'celebration' of  a vibrant young life cut short shared this word so fully ~ that it was the one we reached for both in hope and to console ourselves.

•   •   •

As I write this, I’m thinking of a line in Adam Gopnik’s wonderful new book The Table Comes First, in which he makes the point that  "we don’t always acknowledge enough, that we still live the truth Darwin saw: food is the sensual pleasure that passes most readily into a social value.”

I am the first to admit that from the beginning Barndiva has offered a social agenda. We built and we use our beautiful spaces to strengthen the bonds between farmer and chef, to connect the diner to all the components and meanings behind the dinner served. But while it is vitally important to talk about what we eat within the context of our own and the planet’s health, in fostering celebrations in our space ~ celebrations of every kind ~ more than actual hunger gets sated. Now more than ever we need to take a break from technology and networking and zoning out with social media to make the actual physical human connections that validate joy. Sometimes that celebration is as simple as a meal and bottle of wine with someone you love or hope to love; sometimes it marks a day you will never forget. But the distances we travel to remind ourselves why life is worth living, even when we are forced to come to that moment from a place of pain, is always shorter over a table of food. Of course it matters what you put on that table. But what matters more is remembering, before you sit down, to come with an open heart.

If you’d like to read more about Rhiannon here are a few links…

The Press Democrat The Patch

Donations to the family may be made in Hull's honor to the Julian and Gianni Hull Education Fund at Wells Fargo Bank. For information, contact Jenn@yogaoncenter.com.

Another way to help out, Take Them A Meal.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted).  NYE artwork k2pdesigns.

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Menu of the Week.....In the Gallery.......

Dish of the Week

New Fall Menu

The garden dictates changes to our menus virtually every week of the year. But while there’s no hard line in the sand that can be drawn to signal the end of one season and the beginning of the next, some weeks, like this one, the juggling we do to accommodate the superlative produce our farmers bring to the kitchen door is more dramatic than others.  While heirloom beans, sprouts, quince, and pancetta all started to arrive in abundance this week, so did the last of the heirloom tomatoes. The crazy weather that had left Lazero’s fig trees still bursting with fruit also had chestnuts falling from our trees on the ridge in Philo … I know, there are worse problems to have in life. But it makes calling the menu below the "definitive Autumn" menu a bit of a stretch.

I love this time of year for the crisp snap to the mornings, coming in from the chill to a kitchen fragrant with the smell of quince.  Creamy Mushroom Ragù and classic Frisée salads with lashings of bacon. Lobster Risotto scented with preserved lemons. Ryan’s incandescent Cauliflower Velouté with caramelized florets, raisins, and brown butter almonds (he calls it Trail Mix).  The menu is a blessing right now, a garden-sensitive work in progress, the first of the delicious holiday season to come.

BARNDIVA DINNER Autumn 2011

CAULIFLOWER Velouté, Caramelized Florets, Raisin, Caper, Almond, Caviar   15 Caramelized Diver SCALLOP, Gnocchi, Brussels Sprouts, Quince, Pancetta   16 BUTTER LETTUCE, Champagne Vinaigrette, Orange, Radish, Shaved Carrot   10 Crispy PORK BELLY, Heirloom Bean Cassoulet, Tomato Marmalade, Chive   14 BEET & ENDIVE, Avocado, Apple, Walnut, Warm Chèvre   13 FRISÉE LARDON, Creamy Cabernet Vinaigrette, Garlic Croutons, Fried Hen Egg   15 Local FIG Salad, Bellwether Farms San Andreas, Almond, Shaved Radish   12 Cowgirl Creamery “MT, TAM”, Fall Fruit, Radish, Marmalade 18 “THE ARTISAN” Hand Made Cheeses, Charcuterie, Seasonal Accompaniments   39

LOBSTER Risotto, Corn, Crispy Garlic Chips, Preserved Lemon, Watercress   30 Crispy Young CHICKEN, Roasted Artichoke, Pancetta, Ricotta & Egg Yolk Ravioli   25 Wild Alaskan HALIBUT, Caramelized Brussels Sprouts, Butternut Squash Agnolotti, Bacon   28 Niman Ranch Tenderloin of BEEF, Creamy Morel Mushrooms, Yukon Gold Potato Tots, Carrot Purée    32 Crispy Leg & Sliced Breast of Sonoma DUCK, Spinach, Glazed Cipollini Onion, Caramelized Pear, Foie Toast   29 Bacon Wrapped PORK Tenderloin, Yukon Gold Potato Purée, Apple Marmalade, Caramelized Endive   27

 Goat Cheese CROQUETTES, Wildflower Honey, Lavender   10 BD FRITES, Spicy Ketchup   10 Preston OLIVE OIL, Maldon Salt, Port, Chive   4

TASTING MENU Five course   75     Wine pairing   40 Tasting menus available for the entire table only

Chef Ryan Fancher

In the Gallery

All that glitters is not gold...and thankfully isn't priced like it either. These cuffs and bracelets just in for Xmas are some of the coolest ~ and most affordable ~ we've had in years. Beautiful handcrafted pieces are arriving everyday ~ wire sculpture by Ismael, textiles from Ethiopia, antiques from Burgundy, glass from Syria, ceramics from Japan, and beautiful paintings and steel sculpture...from just down the road. Shop local this holiday knowing you are supporting talented artisans from all over the world.

Above: Brass Squares Bracelet:  brass plated metal squares nestle together to create this light and fluid bracelet with a warm, burnished patina. Great worn in multiples. Strung on elastic to fit most wrists.  $35/ each

left: Square Bead Cuff: Handcrafted brass-plated metal beads strung on wire and finished in softly antiqued tones. $35

middle: Liquid Bronze Cuff: Cast from high quality brass, has molten appearance. $45

right: Crocheted Pyrite Bracelet: Lustrous Pyrite married with gold vermiel make for a striking pairing. Comprised of seven strands of small pyrite beads intricately woven and bound together with gold-filled wire and clasp. $150

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted)

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Dish of the Week.....In the Gallery.......

Dish of the Week

Sous Vide Pork Belly

I did not come to sous vide cooking as a fan, quite the opposite.  The idea of using a plastic pouch to cook ~ instead of relying on traditional methods that depend upon smell, touch, and taste ~ just seemed a bit of a cop out, little more than an upscale version of Uncle Ben’s ‘boil in a bag.’ Where's the magic?

But just as there’s science in alchemy, I’ve come to see that suspending food in plastic and setting it loose in a constant swirl of soft heat actually takes a page from some of the oldest culinary traditions in history which called for wrapping or burying foods and slowly cooking them for long periods, the better to capture the essence of their flavor.

Chef Ryan has always said that for him sous vide isn’t about convenience so much as consistency, that and the ability to control the outcome of a dish in a way that extends the potential of each ingredient. For a little light reading he gave me Thomas Keller’s “Sous Vide,” a trade manual Keller wrote for PolyScience a few years back which succinctly explains the complex way a precise control of pressure, temperature and time allows a chef to infuse flavor (which even with marinades is often lost to the braising liquid) and enhance texture (which over the course of cooking heat can easily destroy).

The temperatures used in sous vide are always kept below a simmer ~  but within that lower range they vary greatly depending on the type and cut of the protein, the cellular density of the vegetable, and what, if any, other cooking techniques you intend to use in the dish. With Pork Belly, where you have an inordinately high fat to meat ratio to begin with, the object is to use the fat primarily to flavor the meat, delivering a finished dish with a perfect crackling that beguiles the mouth when you bite through it to the soft fragrant depths below. Too fatty, too dry, not enough flavor, and it's game over.

For Dish of the Week, Chef cooked pork belly sous vide for 12 hours in a heady mix of shaved apple (Cox's Orange Pippin from the farm), white wine, garlic, leeks, rosemary and carrots.

Two things were notable when he finally lifted the pouch from the water: the first was the degree to which the long cooking process had allowed the meat and fat to take on the flavors of the marinade, all but melding them together.  The second was that by taking the pork from this nearly gelatinous state and immediately chilling it (above left), Chef was able to reduce the fat as he compressed the meat into perfect shape and portion sizes, essential for a dish which can easily become overly rich. He then refrigerated it again ~ cooling the pork before letting it hit the hot skillet which resulted in a perfectly crisp surface without pulling any moisture from the meat.

To accompany the Pork Belly, Andrew, Chef's entremetier, caramelized cauliflower florets in VOO before adding raisins, capers, herbs and shaved almonds.

The final component to this starter was a finishing ‘sauce,’ something which could cut through the richness of the belly but would not overwhelm the sweet, sharp and crunch of the cauliflower nest. For this Chef reduced Pinot Noir to the syrup stage, then broke it with Preston Olive Oil, producing a gorgeous, deep red vinaigrette.

Slow Cooked Pork Belly served on a whoosh of Cauliflower Purée with Caramelized Cauliflower Florets, Capers, Raisins, Almonds and Pinot Noir Vinaigrette….15 hours start to finish…done.  To perfection.

In the Gallery

There’s an old-fashioned capacity for heartfelt joy embedded in the DNA of Healdsburg which makes it the perfect place to get married. This is not news to those of us who live and work here. But thankful as we are for the visitors who keep our local economy humming all Summer and Fall, boy, do we look forward to the Holidays and Winter. That's when the homegrown parties begin, the ones which seem, more than any others, to refresh the spirit and invigorate the soul.

Saying thanks to co-workers, gathering family and friends together to eat and drink with joy, kick back, maybe even dance  ~ all used to be part of what we all did at the end of every year to celebrate the fact that we were still standing.  Resourceful and thankful. We still should be.

There’s a particular magic to the fêtes we throw here in the Studio we’d love for you to experience. Doesn't matter if you come for a night of cocktails and hors d'ouvres or sit down to one of Chef Ryan's incomparable menus. We're especially proud of our staff, as committed as we are to supporting this food shed and all those who work within it. An art gallery is a great place to spend an evening. And this space sings.

To throw a party in the Studio this Winter all you need to do to start the ball rolling is give us a call.  If budget's a concern just let us know and we will figure out a way to make it work.

707.431-7404 info@barndiva.com

All text Jil Hales. All photos Jil Hales(unless otherwise noted)

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Dish of the Week.....In the Fields with Friends.....A Special Baby Shower.....

Dish of the Week

Artichoke Heart Provençal

Chef thought it would be fun for Dish of the Week to follow Pancho around as he made the delicious, vinegary-bright hearts of artichoke filling for the Saffron Ravioli we are currently serving with a lovely seared halibut entrée. Cut it into bigger dice and the same recipe (sans the pasta) is a great accompaniment to any fish or chicken dish. I was game, but then I had an ulterior motive. I love artichokes, but more often than not when it comes to cooking them I seem to take the easy route and just boil or steam them, eating the leaves with copious amounts of melted butter or aioli as a dipping sauce. For all the messy fun you can have, even if artichoke fatigue hasn’t set in by the time you get to the heart you still have to deal with those fiddly, fibrous beards, AKA the Choke.

With artichokes (as with most things) when it's all about the heart Ryan cuts right to the chase: the first thing this recipe calls for is to strip the outer leaves and discard them, paring the stem down to almost nothing.  As Pancho did this he tossed what he’d cleaned into a cool water bath that held cut up lemons and some parsley, the better to keep the artichokes from discoloring, which they do quite rapidly. Here’s a revelation for all you other lazy artichoke lovers: a half hour in this bath and using just the edge of a spoon, the choke slides off the heart like water off a duck’s back.

While they were soaking Pancho set about making a Barigoule, the French term for a traditional artichoke braise technique which takes large cubes of onions, carrots, fennel, garlic cloves and herbs and sweats them in a few tablespoons of VOO before adding wine and vegetable stock.  Roger Vergé, well known for his Barigoule, uses thyme but as Ryan was going a bit further south with this recipe he used rosemary, a stronger herb with heavier green aromatics. The hearts were added once the vegetables were soft, but just long enough to heat them through. The white wine was brought to a boil and allowed to reduce until the fumes began to dissipate. At this point Pancho added vegetable stock to cover and lowered the heat.

But while you want the broth to simmer you still need to take care the hearts don't discolor. To prevent this Chef employed a nifty trick I'd never seen before. He does not use a lid which would would trap the steam and encourage oxidation.  Instead, he tucks a fresh folded linen napkin down into the saucepan where it lightly rests on the simmering artichoke mixture. Voila.

When the artichokes were just cooked through, Pancho lifted them from the broth and diced them finely with the other ingredients: Picholine olives, peeled heirloom tomatoes, red onions, garlic confit, roasted Piquello peppers and fresh chives. Salt, pepper and a little sherry vinegar to taste and Pancho smiled. We were there. He used a tablespoon of filling for each ravioli ~ as a side dish to accompany an entrée allow a cup per person. Deliciously piquant, this is a simple preparation for artichoke hearts that uses no butter or mayo. Good news for the health of my heart.  And yours, if it's a consideration.

In the Field with Friends

Squash Love

Ever since I was a child I’ve had a thing for Winter Squash ~  the gorgeous patterns, the sinuous lines, the vibrant colors.  With their lopsided shapes and expressive stems they are beautiful in a highly idiosyncratic way, the tropical fish of the vegetable world. While the squash you find in the supermarket have all been genetically dumbed down to conform to uniform shapes and flat pumpkin carving sides,  if you look for winter squash and gourds in Farmer's Markets you will find heirloom varieties going back hundreds of years.

Happily, The Fincher's, great friends and farmers from Earlybird’s Place (Earl Loves Myrna Loves Earl) share my fascination for the weird and the wonderful of the genus world known as Cucurbita. I know it’s Fall when I get a call from Myrna to come over and cherry pick through her ‘Fall Collection’ which we display in the restaurant and the gallery. Unlike Summer Squash, which are harvested as immature fruit, Winter Squash will keep ‘til well after Christmas, unless of course you do what we do, and slowly, deliciously, cook through them.

A Very Special Baby Shower Brunch

We don't just throw great wedding and rehearsal dinners in the Studio Gardens ~ any reason to celebrate is enough for us to break out the flowers. Sunday we took a personal day to throw a Baby Shower for K2,  my wonderful assistant, who in addition to keeping me sane is the talented gal who manages to wrestle Eat the View out of my camera and brain and onto the blog each week. K2 and John's new baby is due around Thanksgiving and while no one knows (or cares!) whether it's a boy or a girl, around Barndiva it's no secret we're hoping for another glorious redhead to keep sister Teagan company.

All text Jil Hales. All photos Jil Hales(unless otherwise noted) Food Shots of the Brunch by K2's friend, Richert Gordon Salondaka

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Dish of the Week.....In the Gallery.....In the Fields with Friends.....

Dish of the Week

You & Mother Jus

‘You are what you eat’ is food politics 101, impossible to refute, but not far behind when it comes to the emotional vocabulary we use to describe food experiences is the truism ‘you are what your parents fed you.’  For generations like mine, who grew up in houses where someone cooked every day, the inexorable slide into a world where fewer and fewer people can make a meal from scratch is pretty shocking. And sad. Instead of a family's unique food traditions more and more formative food memories now seem to come, fully formed, from the same folks who have a vested interest in selling the corporate food culture.

Beyond the serious issues of how that culture may be compromising our health (if you ever truly get beyond them), there’s a significant qualitative difference between food memories created when people make the time to sit down together and eat a meal made from real ingredients and the default dining that's become a mainstay of the new American diet which is little more than a simulation of a home cooked meal, pseudo-foodstuffs you eat on the run or in front of a screen.

When Chef proposed Au Jus for the blog this week, neither of us was thinking of the Arby’s empire, or even the vast number of diners and truckstops that have sold Beef Au Jus sandwiches since they became popular in the 50’s. We were thinking in French, as we often do when it comes to the kind of food we cook. A direct translation of Au Jus is ‘of the juice,” with the clear reference being ‘the juice’ of the animal ~ usually lamb or beef ~ you are cooking. Once upon a time using every part of an animal meant survival; used correctly it's a term which should infer access to whole animals, which fewer and fewer restaurants have the skill or take the time to accommodate anymore.

 I have no idea where the ‘beef taste’ in the standard Au Jus served with millions of beef sandwiches bought and consumed every day comes from, but I’m willing to bet the farm there is no connection whatsoever between that sauce and the piece of meat you end up eating it with. This isn’t a rant against bouillon cubes, which we all resort to from time to time, but a reminder that even the ones that promise they are made from 'quality' ingredients are primarily salt, color, and a mix of artificial and hydrolyzed natural flavorings. (FYI: the most common way to hydrolyze a protein is to boil it in a strong acid triggering a chemical breakdown that results in the formation of "free glutamate," which, when joined by sodium, makes MSG. When added this way, the FDA does not require the label to list it as such.)

Which is not to say you need a whole side of beef in the kitchen to make a decent Au Jus at home. Sauté a piece of meat with a few diced veg, skim the fat, squirt some wine in the pan, scrape up the delicious bits clinging to the sides, and you’re good to go. (Add flour and you have a decent gravy.)

But Classic Au Ju, the way we make it here, is something else again. Everyone in the kitchen knows the various stages it goes through by heart and everyone pitches in to make it. Ryan's recipe was adapted from his mentor Richard Reddington, similar to one Daniel Boulud is known for  ~ all three men incorporate a bone stock and a trim sauce, with each contributing different aromatics. They also make use of a 'Mother Jus', which is simply the saved composite of past Au Jus, in much the same way a great balsamic comes from a mother starter, as do bread and yogurt. If you love meat Ryan's Au Jus is liquid Nirvana, more vegetal than starchy, semi-transparent with a rich caramel color, dense with flavors that compress the essence of the protein. Woven throughout are fragrant, rooty aromatics. The images below document the stages from trim sauce to finish ~ directions for the bone stock follow.

The Au Jus is ready. At Barndiva we finish it with a knob of butter and a zoosh of sherry vinegar which brightens the meaty flavors and lifts the wine, tomato, fennel and all the aromatics.

The importance of  roasting the bones and making them into a stock that is combined with the trimmings sauce and the Mother Jus can’t be overstated ~ the natural thickness of the final sauce is a direct result of the gelatin released from the collagen in the bones, the tendons, sinew, and connective tissue. Roast the bones for 1-2 hours at 350, then add to a stock pot in which mirepoix has been sautéed and combined with water, tomato paste, bay leaf, garlic, cloves, black pepper, and thyme. The bone stock is simmered for six hours, strained and reserved. The sauce made from the trim, detailed above, takes about 3 hours.

In the Gallery

Ah Coco, une femme douce, a lady we always love to hear from, especially when a new container arrives from France. This one had some gems ~ including cast iron heads that looked like they'd survived a hundred years of trial by fire which, in fact, they did. Cut from fireplace dogs from the 1920's on, most come in pairs which make beautiful bookends. Singly they are wonderful, unique pieces. Coco tells us the vases were part of an elaborate 19th Century garden wall, pitted and burnished a gorgeous old penny bronze. Heads: $75 Vases (only two left): $100

In the Fields with Friends

File this under "We're not the only ones around here still doing things the old fashioned way."

On Sunday we took a ride out to the Preston's to see how they were getting on with their new apple juice press. If you haven't been to Lou and Susan's beautiful farm and winery on West Dry Creek in a while, go soon, before the rains set in. Their new indoor farmstand ~ with select pieces of Susan's indelible art ~  is almost finished, built to go year round with room for drying and storing. Out in the fields there are still lots of tomatoes on the vines and vegetables growing in the various gardens. This is a great place to bring the kids, to walk and talk to them about everything you see. Keep an eye out for the traveling Hen House Gypsy Wagons where you'll find the pigs rototilling the soil, chickens not far behind (the better to picks up any delicious morsels those pig snouts miss).  The way animals co-habit at Preston Family Vineyard could teach our elected officials in Washington a thing or two about getting along. All of us, for that matter. If you haven't signed on to Lou's blog yet, do so, it's great stuff... here's the link.

A hand turned apple press is simple to use.  A lined, wood slate bucket catches the chopped apples, when it's full you slide the bucket under the press.  The handle is connected to an Acme Thread Screw which is attached to a plate that as you turn applies pressure to the apples. All you do is turn the handle until the juice stops running. Fresh Preston Apple juice is available in the new farmstore while it lasts. Their custom Oak press is made by Correl Cider Presses.

A pensive but happy customer.

Another happy customer who, who along with the chickens, will dine on what's left of the apples.

All text Jil Hales. All photos Jil Hales(unless otherwise noted)

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Dish of the Week.....In the Gallery.....

Dish of the Week

Gravenstein Apple Pepper Relish

Jammin’ is all about hanging out in the kitchen with people you like. Sure, your goal is filling the larder for Winter with the best of what you've grown or sourced from Summer to Fall, but to get the stuff in the jars you will spend an inordinate amount of time peeling, cooking, and waiting for those jars to boil. The better the company, the sweeter the ride; the more love in the jar, the better the product.

So I was particularly lucky when Daniel Carlson graciously offered to help me turn the last of our Gravenstein’s into Chef’s Apple Pepper Relish this past week. Dan is the lovely young man helping Lukka expand the gardens at the farm, where we are at the crucial stage of ordering ground cover and setting out a new and greatly expanded planting schedule for next year. It wasn't lost on either of us that the gabfest that ensued was all about what we'd be stirring in these very same pots next year.

While canning and jamming is not a solitary art, mindful it most certainly is.  There came a moment with each batch when we stopped talking, looked deep into the cauldron, and asked in timorous voices the question only masters of the form ever have an easy answer for...'are we there yet?' Knowing the answer takes more than practice.  No matter how rigorously you stick to Grandma’s recipe, if she's still around Grandma would be the first to tell you that each particular batch of fruit is bound to react differently when it hits the pan. This recipe is a case in point: it only calls for four ingredients ~ sugar and vinegar, heirloom apples and peppers ~ but the flavor of the final product is all about developing a talent to play the alchemist when it comes to heat and timing.

You start by making a gastrique ~ but where a normal gastrique only uses vinegar to cut sugar that's been caramelized in water,  in this case you eliminate water and use vinegar to caramelize the sugar. This intensifies the flavors of the syrup in a way that downplays the sweetness of the sugar, allowing the apples and the peppers to shine.  Chef uses Champagne vinegar because it's bright yet mild enough not to step all over the fragrant subtleties you hope to get from the apple-pepper combo.

Apples have a good percentage of pectin, a natural thickening agent, but they also throw off a lot of juice.  Success is all about keeping a vigilant eye, knowing what you are looking for ~ that brief moment when a wooden spoon pulled slowly across the bottom of the pan moves easily through the golden amber syrup, but takes a second longer than it just did to roll back and cover its tracks. If you put the apples and peppers in before you reach this point, when the apples release their juice you'll have to wait for the syrup to thicken again, during which time you risk overcooking the apples. Lose that soft crunch and you lose a key element in what makes this deceptively simply relish so special.

This relish is meant to star our dry farmed Gravenstein's, but any good quality cooking apple will make a nice relish. You can also use any variety of pepper so long as you stay on the sweet side ~ the bite from this relish comes from the vinegar. This is NOT a pepper jam, it’s an apple relish that’s danced in the pan a bit with heirloom peppers. Big difference.

How you cut the fruit is also crucial in the way it affects cooking time and the final look of the relish. We peel the peppers, cutting them into a perfect brunoise. We grate the apples with their pectin rich skin on, before crosscutting them into the same size as the peppers. Invest in a good mandolin ~ Ryan prefers Japanese to French ~ no kitchen should be without one. Yes, they take a bit of getting used to and yes, you will probably shred some skin along with the apples if you take your eyes off the prize for even a second. (They come with a guard, but it's pretty useless). A mandolin, as opposed to a grater, will give you uniformity and a cleaner edge to the cut fruit. Work quickly once you start cutting the apples so you can add them to the syrup before they oxidize and discolor.

The recipe below is for a small batch ~ the better to control the viscosity of the syrup ~ but double it if you hope to still have some left by Christmas because it will go. It's that delicious.

Simple Apple Pepper Relish one sweet red pepper five large (or six smaller) apples 320 grams champagne vinegar 320 grams fine baking sugar

In a large sauce pan, add the sugar to the vinegar and stir until it dissolves, then let the syrup simmer until you reach the moment described above. Add the brunoise of apples and pepper and bring them to a soft crunch stage which should occur right about the time the gastrique has thickened again. Pour into sterilized jars and follow directions using the standard hot water bath process for hot packing hi-acid fruit. Cool and check to see the tops have sealed.

 If you plan to refrigerate the relish and use it within a few weeks,  you can back off to 300 grams each of sugar and vinegar which results in a relish on the drier side, the better to quenelle and serve with lamb or fish.

In the Gallery

Ferdinand Thieriout, the former Yorkville glassblower who has supplied us with a distinctive range of bowls and vases for the past two years, stopped by the Gallery this week with his beautiful family and two boxes full of his coveted 'bubble' bowls which we'd completely sold out of. In a style that references 60's Mad Men glamor with a spare Swedish approach to color,  these are functional pieces of art, equally stunning displayed on their own or filled with salad and veg.

The large salad bowls come in two shapes; both have the distinctive red radish lip, while the smaller fruit bowls are edged in a variety of beautiful colors: Saffron, Forest, Ruby, Denim & Ivory. Prices range from $85. FYI: Due to his move to Little River this month, Ferd informs us this will be our only shipment before Christmas.  He should have a new Studio up and running (there's talk of it being mobile!) early next year.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted)

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Dish of the Week.....In the Gallery..... Barndiva Weddings........

Dish of the Week

White Wine Poached Pears with  Chocolate Ganache, Coconut Sorbet & Graham Cracker Crumble

For as long as I can remember the Red Bartletts at our farm have fallen to the ground each year uneaten and unloved.  Big and ungainly, they are a cooking variety so low in residual sugar even the bears ignore them. To make matters worse, unless you spray them in Spring before the green tip stage of flower bud development ~ which we never do ~ they are especially susceptible to something called Black Spot which, while harmless, looks as bad as it sounds.

This year was different however ~ strange weather patterns in Spring left the Bartletts almost blemish free for the first time in memory; by September the pears had begun to turn a lovely deep russet, a beguiling color that caused me to wonder what had led the Cassinelli's to grant them in their own little orchard a few steps from the old house. The word 'heirloom' has great cache these days as we seek to re-discover the great variety of fruits and vegetables we once had access to, before corporate mega-farming interests hijacked control of the journey almost all our food takes from their "farms" to our plates. But not all heirlooms are inherently better in flavor then modern varieties. I was curious what a gifted modern pastry chef like Octavio would make of Victoria Cassinelli's pears. He liked them, as it turned out, but not exclusively for their flavor, which was mild and lightly floral. What he valued most was their size coupled with the fact that because they were bred to be "keepers" their dense flesh would take poaching extremely well, crucially in the way they absorbed liquid without sacrificing texture. A great poached pear takes on the flavors of the infusing liquid without losing its shape ~ softening just enough so a knife with a good edge could glide easily through the flesh.

The trick to ripening pears is to refrigerate them as soon as they are picked,  2-3 days, then let them finish ripening outside the box for a few more days. Once they are ripe they really need to go back into the fridge. So it was that five days after I brought them back from the farm Octavio peeled, cored, and poached our Bartletts in Sauternes, a great cooking wine with its own subtle floral attributes.

After they cooled, the poached pears were filled with a lightly scented vanilla crème fraiche and chilled. To plate, the pear was placed over a disc of crushed candied walnuts around which Big O gently ladled a warm pool of dark chocolate ganache.  The walnuts did more than provide a stabilizing base for the pear; their sweetness hid a surprising back-of-the-throat smoky tannin that worked brilliantly against the soft texture of fruit but complimented the rich liquidity of the 61% bittersweet chocolate. The final components of this elegant 'pared-down' dessert was a lovely coconut sorbet, cool respite to the chocolate, which sat on a small mound of crumbled house-made graham crackers. The comforting, old fashioned flavors of the cinnamon graham crackers brought the dessert full circle for me.  I could imagine Victoria Cassinelli cooking up a storm in the old kitchen on a chilly day in late Fall, poaching pears for dessert, perhaps in the heavy red wine the family made from the grapes which before prohibition grew in abundance on the ridge. I wonder what she would have thought of all the steps Octavio had taken to create a modern dessert around her old Red Bartlett's.  At the very least, I'm willing to bet it would have made her smile to see and taste how we’d re-discovered them.

In the Gallery

We rarely source pieces for the Gallery from catalogs but when this chair from Roost showed up in New York Magazine a few weeks ago on their 'design pick' page we fell in love with the way it looked, suspecting it was wonderfully comfortable as well. We are always on the look-out for chairs that can live inside or out, so we got on the horn to Roost and snapped up the last six.  Good news: our eyes did not deceive.  They are beautifully made of washed and sanded bent bamboo with a sinuous line that cradles the body from the neck all the way down to the lower back.  Called The Lanai, they have an unusual bulb out for the elbow. They are designed long in the seat, the better to support your legs.  Color is a light blond which will darken with age.

Not so good news: only four left.

The Roost Lanai indoor/outdoor lounge chair is $525.

And The Beautiful Weddings Continue...

Photos by Studio Barndiva Manager and photographer, Dawid Jaworski

Follow more Barndiva nuptials check out  Style Me Pretty this week featuring Matt Edge's wonderful images...

All text Jil Hales. All photos Jil Hales and Dawid Jaworski (unless otherwise noted)

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Dish of the Week.....Local Harvest Festivals.........

Dish of the Week

Saffron Pasta

I’ve never been fond of flavored pastas. Fresh tomatoes are never bitter when you chop them up and add them to a sauce, and you'd be hard-pressed to use too much fresh basil in an Italian dish. But for some reason when the same ingredients are solidified into flour and water more often than not they taste off to me; resinous herbs like rosemary or thyme end up with a slightly medicinal edge.

Saffron is different. All it adds to the taste of fresh pasta is a slight floral note, but more importantly it brings back the glorious color of the egg yolks ~ always doomed to be lost in the white blur of flour, salt and milk. Saffron brings that yellow back to the front, where it belongs. It's also the color of the sun, which makes me think of wheat in a field.

Everything about Italian food references the simple beauties of nature; it is the earthiest cuisine, the most able to satisfy the base comfort I look for in food. I admire French presentation and technique, I crave Indian and Thai, but it's Italian I return to when I've had a bad day or just need that little bit of mama in my soul. To get that splendid color, saffron threads are added to white wine which has been brought almost to a boil, a process called 'blooming'. As the saffron dissolves you cool it over ice water, leaving some threads intact, then add to the egg yolks. We use a classic old machine Geoff rebuilt for us to cut our dough, but we always start by mixing and kneading our pastas by hand which demands time and patience, a good practice in a kitchen like ours where speed under pressure is constantly required. There's also a sound technical reason for making pasta by hand rather than dumping all the ingredients into a big machine. Pasta is all about texture. You need to feel it as you go; to learn to trust your fingers when they tell you more, or tell you stop. Which, in a round about way, brings me back to my comment about nurture and comfort. To have an abundance of both in life, you need to be hands on.

Paul Bertolli, a friend from the early Barndiva days, wrote what I still consider a benchmark Italian cookbook no kitchen should be without called, appropriately enough, Cooking by Hand. Written in essay form with chapters like Twelve Ways to Look at a Tomato,  it's not a book you pick up when you need a quickie recipe, but one you linger over in bed before you fall asleep.  With any luck you may find yourself in a dream where you have miraculously found the time to work the dough, cut the tomatoes, rip the basil, crush the oregano, taste the wine.  Only a few chef-writers capture the magic of why we cook ~ MFK Fisher comes to mind ~ by managing to tap into our culinary soul. Paul finds the magic.

Chef served Rabbit with the Saffron Fettuccine this week:  kidneys, loin, and rack, beautifully butchered then flash seared in butter and garlic and thyme. Wish I could say  “just like the mama used to make,” but with no disrespect to my mother,  I grew up thinking rabbits were girly pets, pasta only came in boxes, tomato sauce only came in cans.  I’ve since learned that it’s usually the time it takes to do things simply that matters most when it comes to food.   Happily, the joy of Italian food is that when you use great ingredients and put your heart into it,  wherever you started on your food journey  you can end up making your own delicious traditions.

Local Events

As it happened I attended two Harvest Festivals this week. The Mendocino County Fair, held in the Boonville Fairgrounds ten miles from our farm, has been going strong for 87 years (we’ve been attending, on and off, for the past 30).  The National Heirloom Expo, held amidst great fanfare (and high expectations) at the fairgrounds in Santa Rosa is brand spanking new.

Besides the fact that both the Fair and the Expo are at heart celebrations of all things grown and living, from inception to delivery they were radically different events. The Mendocino County Fair opens with a rodeo and ends with a parade down Hwy 128 with people and horses in fancy dress; it boasts an impressive collection of award winning animals, rides, cotton candy and hot dogs on a stick. No one cares where the hot dogs come from. It’s simply a fair all about fun, and the folks that put it on, from the 4H and FFA kids who raise the animals to the women who bake the pies from the (fast disappearing) apple orchards of Anderson Valley work hard all year long to make it happen. The fair celebrates their labors and their lives ~ it's not about thinking deeply about farming methods or where the seed they use to grow their food and feed their animals comes from. It's about taking three days off in September to stand back and go, phew, can you believe we made it through another year? Pass the popcorn.

There were no rides at the National Heirloom Expo. There was a mind boggling array of open pollinated fruits and vegetables, food vendors clearly vetted for where they sourced ingredients (not a hot dog on a stick in sight), a giant tower of squash (by the same folks who built the squash tower in Michelle Obama’s White House vegetable garden) and an entire hall filled with non-profit (read: optimistically struggling) seed people. While there was country music and a convivial air in the crowds milling around the fresh produce stalls outside the halls, it was clear from the moment you pushed through the turnstile that unlike the Mendocino County Fair there was a decidedly political bent to this event.

On Tuesday Ryan gave a cooking demo at the Expo in the Hall of Flowers with Alex Lapham of MIX Garden. The bromance these two extremely talented big guys have going, sustained by the superlative produce one grows and the other cooks, is something to behold. They did a reprise of their heirloom tomato and melon salad, bantering non-stop back and forth while I sat snapping away in the first row with Geoff and Chef’s beautiful wife Rebekah.  Mick Kopetsky and Bryan Hohnstein, the other two parts of MIX Garden’s phenomenal success, stood at the back of the crowd grinning madly.

It’s great when you can walk around a fair and connect with people whose livelihood is integral to your own: old friend Kristee Rosendahl was there with her exciting Smart Gardener website, new friends Belle Starr and Bill McDorman of Native Seed/SEARCH were there with their special varieties of Southwest seeds which they'd also brought to Barndiva for us to cook with. On Thursday night we returned to the fairgrounds to hear Dr. Vandana Shiva speak. Dr. Shiva is one of those rare human beings who can deliver a message that is dire, yet manage to take you to a place where you know you are up to the challenge.   If you don’t know who she is, I urge you to go online and find out.

On Sunday we arrived at the Boonville Fairgrounds a half hour before the sheep dog trials began. Sheep Dog trials are my all time favorite spectator sport ~  if you have children trust me on this one, sheepdog trials hold a paradigm for your life. The trials this year delivered big time with great dogs and wonderful handlers (all but one of whom were women). After the trials we toured the animal tents and spoke to some of the kids who raised them, falling in love with a breed of pig we hope to raise at the farm.

What I didn’t do this year in Boonville ~ that I’ve always done in the past ~ was visit the Apple Hall to see the stands filled with boxes of apples in competition. The Mendocino Apple Fair is a cherished part of my life’s traditions (Knowing More and More, about Less and Less) but it’s increasingly hard for me to reconcile the absence of awareness at this event. The organizers in Boonville ~ and 4H and FFA at the national level ~ could use a good dose of fire in the belly that drove the organizers and participants of the Heirloom Expo in Santa Rosa. This is one case where if worlds could collide we'd all be the better for it.

87 years ago almost all the apples polished to a shine at the Mendocino Fair were grown from diverse varieties, many brought to the valley with the immigrants that came over to work the forests before they settled down to farming and raising sheep. These days less than 10% of all the apples grown in the US are heirlooms, much less open pollinated, thanks to nefarious inroads made by Monsanto to control and limit seed varieties (for their own profit) which ultimately will imperil the world’s ability to feed itself. Much as I’d like to go to the Fair in Boonville and forget for a day about GM, forget about the 'legal' patenting of seeds, forget the damage chemical dependence is doing to our soil, forget about CAFO’s, I can’t get away from the feeling that mindlessness, even for a day, is no longer an option. For those of us whose lives depend upon the soil and the animals reared on it, hell,  for anyone who eats, we do so at our peril, and at risk of losing everything we hold dear.

All text Jil Hales. All photos Jil Hales (unless otherwise noted)

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Dish of the Week.....Local Food & Wine Events...

Dish of the Week

La Garniture

We’ve come a long way since the days when garnishing a dish meant little more than throwing a bit of commercial parsley and a few superfluous vegetables on the plate, that quickly got pushed to one side. These days thoughtful chefs like Ryan have transformed our very notion of garnish, expanding the variety, colors and textures of the things they reach for in those last moments before a dish heads out to the dining room. To my mind, even the word is moribund ~ garnish has the potential to do a hell of a lot more than decorate a dish like a few accent pillows.  They are the subtle but dramatic finishing pieces to a complex flavor puzzle a chef begins to fit together with initial conception of the dish.

Consider the steps: raw ingredients are rubbed, cured, infused, marinated and seasoned before the cooking process bastes, sautés, caramelizes, bakes, flambés, glazes, braises, grills, barbeques or smokes in yet more flavors.  As food is plated the element that arguably demands the most finesse, (and in fine dining restaurants has its very own chef ) the final sauce, is added. Only after all these steps are completed does a chef reach for final finishing flavors which, if he isn't careful, can misrepresent or throw the complexity of the entire dish out the window.  When I asked what flavors and textures he might look for in a garnish Ryan reeled off,  “sharp, sweet, tart, viscous, buttery, floral, creamy, caramel, crunchy, earthy, herbal” adding he includes vinaigrettes as well.

If you’ve dined at the Barn over the past few weeks you will recognize most of the elements photographed here which were used to garnish our plates one day last week; chances are if you come in next week they will have been replaced. For restaurants like ours that tout their farm to table pedigree,  garniture offers a not-to-be-missed opportunity to showcase what’s local, seasonal and freshest. Towards this end we devote three raised beds here at the Barn just for finishing. In addition to these edible flowers and herbs which Chef uses raw or infuses in oil and a range of vinegars,  our farmer partners grow a variety of tiny vegetables and greens he may pickle or lightly dress. And let's not forget root vegetables which can be deep fried for a sprinkling of chips...once you see the potential of garnish, the list just keeps on growing.

Grown or foraged or bought, finishing flavors are an essential, if ephemeral, piece to dining you owe it to yourself to explore. Whatever you call them.

This Week!

Expectations are running high for this week's first National Heirloom Expo ~ with good reason. The time is right for a truly meaningful countywide event with a focus on seeds, farming and superlative products. The Expo starts Tuesday and runs through Thursday at the Santa Rosa Fairgrounds. Barndiva will be participating in the chef demonstrations (Ryan will be there today  at 2, as well as Alex from Mix Gardens), and there will be scintillating panel discussions with food savants from around the country, in addition to keynotes speakers including  Alice Waters and Dr. Vandana Shiva. If you've never heard Dr. Shiva  (chances are you've never even heard OF her) don't miss this opportunity to experience this Nobel worthy woman who speaks truth to power about the future of food.

Without a doubt one of the more interesting groups coming to the Expo are the folks from Native Seed/SEARCH, a seed saving educational non-profit that has been going strong in Arizona for over two decades.  Native Seed's Bill McDorman will be speaking on Tuesday at 3, directly after Ryan's demo, and will also participate in an important panel Thursday called Seeds of Sustainability.

On Friday morning Studio Barndiva will host a benefit for the Native Seed/SEARCH organization with an incredible brunch starting at 11 using Native Seed products. Our pastry chef Octavio will be making muffins with their Senoran White Wheat, while Ryan and the gang will serve up our infamous Huevos Rancheros with Early Bird Eggs, heirloom salsa and Native Seed Tepary Beans. Bloody Marys, made with our tomatoes and their rare Native Seed spices will (quite literally) kick off the meal, after which there will be a chance to talk with Bill and his dynamic wife Belle Starr and many other seedsmen and women who were at the Expo and are coming for a last chance to compare notes.   This is a not-to-be-missed event folks, with a great meal, in support of a wonderful organization. It just doesn't get any better.

To book a place at the table, call Barndiva at 707 431 0100.

See you there!  See you here! Details below.

Sonoma Wine Country Weekend

We sent two of our biggest diva's ~ Isabel and Eric ~ to Taste of Sonoma a week ago to sing our song to a sold out crowd of  3,000. Good thing that in addition to our compressed watermelon + lemon verbena we also served up Barndiva Farm's Heirloom green figs and Gravenstein Apples ~ these terrior hunters were hungry, and not just for information.   Taste is a great event ~ at the gorgeous MacMurray Ranch ~ in which to get a comprehensive overview of the wines produced across the county. We were in the Dry Creek Valley tent, but we couldn't help noticing while visiting friends in the other tents that there was decidedly less food this year. What's up, Chefs? We are busy as all get out this time of year but we made the time and are really glad we did.  Not counting Pigs n' Pinot ~ which is one varietal and Healdsburg centric ~ Honor Comfort and the gang throw the most convivial wine event of the summer.

All text Jil Hales. All photos Jil Hales (unless otherwise noted)

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Dish of the Week.....On the Ridge

Dish of the Week:

Bellwether Farms' San Andreas and Ripe Summer Figs

If you’ve ever traveled through France, Italy, Spain or down into the Mediterranean basin in summer, chances are you’ve eaten at least one meal that included ripe figs and a hunk of local cheese. It’s a classic pairing which has been with us since antiquity. And while a lot has changed when it comes to the finesse we bring to artisan cheesemaking since Plato hung out talking about the notion of an Ideal Universe, the elements which make figs and cheese an indelible pairing remains hard to beat. We all know cheese is great with apples, pears and quince, but only figs, the earthiest of biblical fruits, has the dark sugar and beguiling sensual texture (all those tiny seeds popping on the palate) to stand up and fully embrace the grassy, salty, acidic nature of cheese.

Not a lot of people know that Bellwether Farms was California’s original sheep dairy. This family-run farm brings a level of passion and commitment to their cheese and yogurt program that is truly rare. The story goes that when Cindy Callahan first brought sheep to the ranch she and her husband owned a few miles from the ocean, she had only a vague notion of what to do with them. After a trip to Italy in 1992 they  began to age their sheep milk, producing their first Pecorino, but  it wasn’t until son Liam came onboard that the family began in earnest to experiment with ways to control moisture and acidity which led them to the considerable success they enjoy today. Bellwether produces award winning sheep, cow and goat cheese that consistently exhibits remarkable complexity of flavor that is unique to their location.  We hear a lot of talk about terrior when it comes to wine, but unlike almost any other artisanal product, cheese like Bellwether's truly expresses the taste of milk from animals that are born, raised and grazed in a specific location, in this case the beautiful rolling hills of the Sonoma County Coast only a few miles from the ocean where mild temperatures and coastal fog produce some of the richest and sweetest milk in the land.

Sheep's milk is higher in fat and protein than either cow or goat’s milk, important when you consider that during cheesemaking much of the water is drained from milk with most of the fat and protein staying in the curds. San Andreas is a raw sheep milk farmstead cheese unique to Bellwether Farm. It has the marvelous nutty flavor and soft underlying bite of a good cheddar, but is unusually smooth and full-flavored.

Last week we featured Bellwether's San Andreas with nothing more than a plate of ripe Black Mission Figs, deeply caramelized walnuts, a few shavings of radish and a sprinkling of Calendula flowers.  Now that our own green Napoli figs are finally coming in on the Ridge, (see below) we will offer them while they last. Gray Kuntz has famously described cheese as a taste that pushes, as opposed to pulls, which may explain in part why cheese and figs, with their juicy, sweet mesmeric power, make such a good marriage. As for that other artisanal product that's only gotten better since antiquity...happily, we've got plenty of that around as well at Barndiva,  by the glass or bottle.  Want to talk about an ideal universe? This is a good start.

Harvest On the Ridge

While what we grow on the Ridge hardly puts a dent in the amount of produce Barndiva needs, every year we try to up our game and grow a bit more in hopes of closing the circle of sustainable supply and demand as much as we can. So despite the late frost which knocked out almost all our stone fruit this year, I was pretty proud at the variety of fruit and veg we were able to start harvesting for the restaurant on Tuesday morning, starting with a bumper crop of green and red Gravenstein Apples.  I thought it might be fun to document some of what Vidal and I picked before the fog lifted and the third member of our picking team managed to haul her butt out of bed.

Sadly, with the exception of the cherry toms, the bulk of our Heirloom Tomato crop (33 varieties from Mix Garden) is still hanging green on the vines, waiting for it to get over 55 at night, which Bonnie Z says is the magic number. (According to Bonnie, once upon a time she would start harvesting tomatoes at Dragonfly in early June!)  Looking on the bright side, in addition to the Gravs, Vidal and I managed to pick five cases of incredible green figs, string beans, three varieties of squash, cucumbers, radishes, basil, thyme, lavender, rosemary and the first of the slicing tomatoes. Not bad for a morning's work, especially considering Lukka and Daniel haven't started to harvest anything from their new patch in the pear orchards. Next week it looks like we will have Asian Pears, which Vidal grafted only a year ago, along with Victoria's red pears, and the first of our melons. Fingers crossed about those tomatoes.

To read more about the extraordinary history of the farm:  At the End of the Day, May 26, 2011

In the News

We were especially pleased the Gravensteins came in this week just in time for us to participate once again in Slow Food Russian River's Gravenstein Apple Presidia Project, which the indomitable Paula Shatkin reminds us needs full community participation if we hope to keep the Gravenstein, a unique Sonoma County heritage, alive.  For the next few weeks we encourage you to check out the restaurants in Sonoma County who are participating in the Presidia by putting Grav-centric dishes on their menus. At the very least buy some Gravs at your farmer's market and bake a pie. No excuses, do your part! Save the Gravenstein apple!

For more information go to Slow Food.

And finally, in case you missed it, some very good news from Eastern Europe.

Hungary destroys All Monsanto Corn Fields

All text Jil Hales. All photos Jil Hales  (unless otherwise noted)

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Dish of the Week.....In the Gallery

Dish of the Week:

Yellow Fin Tuna 'Summer' Carpaccio with Crispy Basil Rice Croquettes

When Giuseppe Cipriani made the first Carpaccio at Harry’s Bar back in 1950, he had no way of knowing that thousands of recipes for a dish with the same name would follow, or that his creation would move well beyond raw beef to fish, veal and venison. (Then again, as this was the same Giuseppe Cipriani that also ‘invented’ the Bellini cocktail at Harry's, perhaps he did).

Food lore has it that Cipriani came up with the dish at the behest of a wealthy customer, the countess Amalia Nani Mocenigo, whose doctor had suddenly prescribed a raw meat diet. While culinary history is silent on what in the Countesses' constitution the good Dr was trying to cure (anemia? flagging sexual prowess? ), Amalia found the taste of raw meat repugnant so Giuseppe pounded it paper thin and smothered it in mustard sauce for her.

Whether you pound it with a meat mallet like Giuseppe, or wrap it in saran wrap and just whack it once or twice with the wide end of a chef’s knife as Ryan did with beautiful yellow fin tuna this week,  Carpaccio is a dish that has the potential to be a lot more than just a novel technique that transforms a base protein's thickness and texture.  Whatever the protein, it’s a dish where a delicate approach is required when it comes to the accompanying sauces, spices, and key ingredients.

Ryan’s great with dishes like these. For a big man he has an incredibly light, deft touch, coupled with an attention to detail that is immediately apparent in the artistry of his plating well before you take your first bite. While I doubt he ever sits down to count the steps it takes to arrive at the moment when a diner lifts a fork, stops, looks, and thinks, ‘oh my, this is beautiful ’, there are often many laborious ones his crew must practice and master.  God is in the details with this guy.

In the beginning of our professional relationship I often wondered if all this precise cutting, slicing, and dicing ~ though it goes a long way in defining his style ~ was really essential. Most professional and home cooks accept that having ingredients the same size when you are going to apply heat is important  ~ but until Ryan came along I never considered how synchronicity can be a game changer when it comes to what we taste.

This week’s Yellow Fin Tuna Carpaccio is a case in point. Ryan conceived the dish as a play on sushi and rice, one that takes Yellow Fin Tuna for a jaunt through a bountiful Sonoma County summer field at the height of August. Avocado, watermelon and golden beets ~ all cut to exact dimensions ~ brought key elements of creamy, refreshing and earthy to the plate.  Even with light assist from favas, chive flowers and purslane, everything on the final plate was meant to dance with (and around) the fragrant flavor and almost transparent texture of the tuna ~ enhancing, but never dominating its subtle taste.  The visual joy of Chef's plating wasn't subsidiary to the success of the dish, but an elaborate seduction, through color and form, integral to the experience of eating it. But that wasn't all. He also had a few surprises in store. The first was a deliciously crispy basil rice ball that referenced the sushi while extending its normally cold bland taste profile with surprising heat and crunch. By using Carnaroli rice instead of Nishiki (Sushi rice), and a touch of pecorino, Chef also brought more cream to the bite instigating an Asia meets Italy moment. Then there were the bright flecks of preserved lemon rind scattered through the dish which exploded in tiny bursts when you least expected it. Not sweet, but not overwhelmingly tart either they had the effect of bringing all the other subdued flavors forward while paying direct respect  ~ as only citrus can ~ to the fresh fish taste of the tuna.

The lemons had been preserved in equal parts of salt and sugar five months ago. I don't mind harping on it: preserved  lemons are a really great condiment to keep around.  Traditionally stored in ceramic or glass jars, Ryan uses sous vide pouches to cure and hold them, which take much less space in the fridge and uniformly bathes the lemons so you never even have to turn them (a great help if, like me, you always forget anyway).

Every mouthful of this dish was about what’s best in summer here in Sonoma County.  Whatever ailed her, I'm betting The Countess would have loved it.

New In the Gallery

WOVEN WITH PASSION, NOT WITH POWER is the mantra of SlowColor, a company that produces extraordinarily beautiful linen textiles we have just started selling in the gallery. Made in and around Hyderabad, India, exclusively on small pedal looms using only natural plant dyes, this politically focused enterprise was started by two Americans, Jala Pfaff and Sanjay Rajan, who hope their C2C (cradle to cradle) efforts will help keep ancient textile traditions alive by providing commerce to the hundreds of hand loom and natural dye co-ops struggling to survive in India. It wasn’t long ago we wrote about the tragic increase of small farmer suicides in that country which were directly triggered by a Monsanto-led movement which encouraged mega-scale chemically dependent farming over the small and sustainable methods India has used for centuries.  (Courting Armageddon, April 28, 2010) Well, it seems that for some time now thousands of small village textile weavers and dyers have also been driven to take their lives faced with obsolesce as the world has increasingly moved toward large scale factory production.

SlowColor textiles are made from premium organic flax, actually a more sustainable raw product than either cotton or bamboo as growing it is lighter on the land, and requires less water.  Gauze woven on foot pedal looms before being turned over to separate dye cooperatives in the same village, the line uses an “adjective” dyeing process where only natural mordants like saffron, tumeric, annatto, walnut, and cochineal are added to a dyestuff's natural color.  For indigo, Slowcolor follows the traditional method of fermenting indigo in earthen pots underground to create blues because, as Hindu, they will not use cochineal, or insect carcasses.
Pricing on the scarves (depending on the vegetable dye used and the length of the textile) ranges from $70-$120.  Hand-washable, these resilient pieces will only grow softer and more beautiful with age. No two are alike ~ except to the extent they are all intrinsically beautiful, and carry in their making the same life affirming message.

All text Jil Hales. All photos Jil Hales and Dawid Jaworski  (unless otherwise noted)

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