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Apple

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The Crush

Turns out you can do a great many things with apples besides eating one a day to keep mortality at bay. You can juice ‘em, of course, but incredibly, without adding anything at all except labor, time, and TLC, you can also make sweet and hard cider, apple syrup, apple cider vinegar and aged apple balsamic.

Following our unwritten mantra here at Barndiva to never do anything at half measure when we can over-extend and really drive ourselves crazy, we went full monty on our apples this year.  In the next few months we will attempt to make ALL of the above.  What the hell, right?

We’ll keep you posted on the results as the kitchen and bar concoct dishes and cocktails from fresh juice and syrup while we slowly ferment in drums and barrels the bulk of what we juiced for apple cider vinegar, and down the road, balsamic. The good thing about a labor of love is that even when heavy on the labor, as this one certainly was, whatever happens, you get to keep the love. Which is pretty much what we all felt on Tuesday Sept. 23, a balmy Fall kissed afternoon that was equal parts exhausting and exhilarating. We were blessed to have been invited to use an apple press just 2 miles down the Philo-Greenwood Road from the farm, at the gorgeous Philo Apple Farm, where Karen and Tim Bates and their children have been good neighbors and great friends for three decades. Full disclosure: Tim and Karen had agreed to mentor us on the fine art of cider and vinegar making after dinner and a long night of drinking upstairs at the Barn a few months ago. We laughed about it afterward but the truth is they've always been generous sharing the skill set they've gained over the years slowly transforming 40 overworked acres of commercial apples into an organic, bio-dynamic, heirloom fruit and vegetable farm where they also excel in design, gardening and hospitality in ways that are off the hook yet somehow classically sublime. I do not use that word blithely. The Philo Apple Farm is a treasure.

Karen would be the first to tell you that in the remarkable way they always offer encouragement they are only following customs endemic to most small family farm communities, where sharing hard won knowledge is a badge of honor as much as a way to pass time;  where time itself, that most precious commodity for a farmer, is mutable when it comes to lending a hand.

The Bates agreed to open their press to us during their very busy harvest, when pressing and jamming their apples and fruit is almost nonstop, so that our chefs  - always eager to get closer to the ‘farm’ part of our farm to table ethos - could participate.

Their beautiful old press sits above the Navarro River shaded by plane trees that refreshingly, for our evergreen side of Anderson Valley, act like trees should this time of year with leaves turning brilliant crimson yellow and gold. Everybody but little Rylee, the dogs and yours truly, handling the camera, threw their backs into it. Local radio KZYX was on low, playing Mexican dance music; the air was redolent of wood smoke then, increasingly, sweetly pungent with the smell of freshly pressed apples. Five tons of them.

As tired as we all were at the end of the day, the only thing crushed were the apples. Spirits ran high as we carefully placed a half dozen 55 gallon drums into our lower barn where they will begin the process of losing their sugar, then alcohol, on the way to becoming vinegar and (hopefully, this part being a bit trickier) balsamic. We also have 100 gallons of fresh juice here in Healdsburg, the better to offer cocktails like “Why Bears Do It” to our customers through the year. We even managed to start ten gallons of hard cider - an experiment which has been a long time coming. The only thing on our wish list it looked like we would not accomplish, reducing fresh juice for eight hours to made something approximating the ethereal apple syrup the apple farm produces, Rita Bates, rare and beautiful creature at heart that she is, took on for us. Heavy brown glass jugs of it now sit in pride of place in Barndiva's pantry to be used in desserts and savory dishes like apple glazed whole roasted chicken. Yum.

Barndiva would like to give a big shout out to Tim Bates for opening the press on a Tuesday and also finding the time to help us move our apples from farm to farm; to the awesome Sophia Bates, who like her mum makes it all look easy even when its not; to Rita, Jerzy, and Lauren, and most especially to Vidal Espinoza, our farm manager of thirty years who spent weeks picking and mixing the heirloom varieties that give our juice - and now hopefully our vinegar and balsamic - its unique, dry farmed ridge-top flavor profile.

And, as ever, I’d like to thank chefs Fancher, Wycoff and Mulligan, who despite being in the middle of an exhausting summer season here at Barndiva showed up on their day off to crush apples with us.  This was truly a family affair we will remember and cherish.

Studio Barndiva’s multi talented manager Dawid Jaworski edited my images into the 2 minute video of what crush looked like on that resplendent Fall day. 

Drink the View!

Geoffrey, Lukka, Daniel and Jil

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Dish of the Week: The Lazar Lissitzky Side Salad..... In the Gallery: Fashion for a Cure......

Dish of the Week

Filet Mignon & Ricotta- Egg Yolk Ravioli with "just a salad on the side"

Lazar “El” Lissitzky was one interesting dude, an architect, designer, photographer and typographer who lived between the Czar’s downfall and the rise of Communism in a little window of time when a humanist approach to the arts in Russia was allowed to flourish.  Though he played a role in some of the most revolutionary art movements catching wind in Europe at the time ~ developing Suprematism with Chagall, teaching in Germany with the Bauhaus ~ his lasting contribution was a unique visual language which considered the power of geometric form when projected into the third dimension. Alive today he’d probably be rich and famous at Pixar or Apple.

He was not, to my knowledge, ever a chef, nor does anything you read about him (except perhaps the fact that he once walked across Italy) indicate any interest in food beyond eating it. Yet I think about El a lot these days as I watch our dishes leave Barndiva’s kitchen.

How important is the way food looks to our enjoyment of eating it? Ryan is fond of saying we eat with our eyes first, but do we actually taste things differently depending on the way we perceive them? If a great landscape painting has the power to wake us up to the beauty of nature, does a beautiful plate of food help connect us ~ even subliminally ~ to the place where it was grown, the people who raised or grew it?

Pretentious looking food isn’t what I’m on about; a plate of “beautiful food” that makes no connection to taste ~ and through taste to a field or meadow or body of water ~ is as lost an opportunity as a painting appreciated for its technical prowess that does not have the power to move us toward a love of nature and from there, a desire to protect it.

Over the past year shooting Ryan’s food for Dish of the Week, while I’ve enjoyed writing about all the tricks and clicks that separate the amateur from the professional cook, I find I keep coming back this question. Lazar's language for art had a social context which for him ~ given the times ~ made it relevant. His theory posed that if the right connections were made between the components of "volume, mass, color, space and rhythm," the eye would make an emotional connection to the work which supplied a meaningful narrative, even when the work was 'abstract.' That was art, this is food, but in a curious way the sensory connection we bring to cooking and eating is also the dominate force that defines our relationship to it. We eat to live, but we also live to eat. And the vibrant life of vegetables, the texture of proteins, the delicate colors of edible flowers, the filigreed edges of herbs have all the same compositional resonance we respond to in a work of art. What's more, we don't experience food in a fine dining setting from the prescribed museum distance; we are an essential part of the process, bringing to the experience a crucial interactive piece.

Fine dining is a hybrid art using the physical picture plane of a small 3D canvas with the repetitive timing of a theatrical production. It takes an enormously disciplined aesthetic. As a performance art it starts with sourcing, moves through the precision of cutting, prep and a range of cooking techniques (with and without heat) to the minutes before presentation. Only then are the final 'colors' added 'backstage' in a moment of intense choreography that can make or break ~ within seconds ~ everything that's come before.

Think I'm crazy? Perhaps, but check out the visual appeal and the production values of what Ryan calls "a simple side salad" which we serve with the Filet Mignon and Ricotta-Egg Yolk Ravioli on the lunch menu: slivered dark heart carrots, red and gold beets, tiny toy box radishes, spicy micro sprouts and pineapple sage petals follow a sinuous line that transitions from raw to cooked ~ garlic confit, steamed baby carrots, artichoke hearts and pearl onions ~ halfway across the plate. What's interesting beyond the visual delight of the plating is the narrative arc of the dish, which manages to give equal billing to the salad and vegetables (and for crunch, two house-made lattice potato chips which look like they drifted onto the plate on a breeze) without upstaging the star of the show: a perfectly cooked Filet Mignon.

There are few things in life as satisfying to a carnivore as a forkful of charred steak flooded with glorious golden egg yolk, but the umani seduction we get from eating animal proteins does not necessarily need to rely on the amount of it we consume. Ryan's plating, beyond its visual appeal, also reflects this evolving consideration, and choices that stretch from the plate all the way back to how and where we source our food.

As much as I respect (and try to adhere) to Michael Pollen’s #1 rule: “eat food, not too much, mostly plants", I don't believe any directive ~ no matter how sensible ~ can teach us as much as an actual experience we feel connected to. Dining is a journey, the more visual the better. Our appreciation and joy should be something we build upon, one which grows with every bite we take. Barndiva was created from a desire to feed people delicious food, sourced sustainably, leaving them wanting to eat with us again. Like Lazar Lissitzky, who believed in transformative art ~ the idea that beyond the experience of looking lay connections which could effect a society of change ~ I’d like to think we are also part of a transformative food movement.

Art first, food first, or for us, any thoughtful combination in between.

Tour de Cure

Studio Barndiva is thrilled to be working with our good friends David and Nicole at Brush Salon to help host their Couture for the Cure Fashion Show on Sunday, April 22 in support of the American Diabetes Association. Entertainment for the evening will be an exciting runway show courtesy of four of Healdsburg's most popular shops: Susan Graf Limited, M Clothing, Outlander Men's Gear and Clutch. Before the show Barndiva will provide cocktails and hors d'ouvres, Vin Couture will be pouring wine ~ so don't be late. A live and silent auction will augment the runway show which will star local and professionals models with hair and make-up by the talented folks at Brush. Space is limited for this very special evening. Great night, important charity. We hope to see you here.

To make reservations for dinner after the show, call us at 707 431 0100, and mention the show. For tickets to the event, see below.

All text Jil Hales. All photos Jil Hales(unless otherwise noted).

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